A Quote by Giles Matthey

If anything, it was a very egotistical thing because I wanted to move people. I wanted to tell a story and move people. — © Giles Matthey
If anything, it was a very egotistical thing because I wanted to move people. I wanted to tell a story and move people.
Everyone has their own path in life, no matter if it's being a celebrity or a singer. Quite frankly, I didn't move to Nashville and tell myself I wanted to be a singer because I wanted to be a celebrity or I wanted to be somebody that people admired. I wasn't about that. I just loved music.
I made a commitment to myself: that I wanted to be an actress, and I wanted to do films that make a difference. Whether it makes someone laugh, or it has a moral to the story - it doesn't have to be an ethical film, but it has to move people. If it doesn't excite me, it's not worth doing - it's better to work on myself and my own life and wait until another great thing comes along.
I didn't want to tell the story of what makes two people come together, although that's a theme of great power and universality. I wanted to find out what it takes for two people to stay together for fifty years -- or more. I wanted to tell not the story of courtship, but the story of marriage.
I knew what I wanted to do when I set out. I knew that I wanted to write a book that told the story, obviously. I wanted it be comedy first, because I felt like there already had been childhood druggy stories that were very serious, and I felt that the unique thing here was that I was a comic and I could tell the story with some levity, and I have been laughing at these stories my whole life.
It was very definitely architectural. I was using the words on the page as some kind of equivalent of a physical model. But I never thought at that point that I wanted to move toward architecture. I wanted to move toward real space. Sure, that's probably another way of saying, I want to move toward architecture. But I didn't define real space in terms of architecture, then.
Water, like religion and ideology, has the power to move millions of people. Since the very birth of human civilization, people have moved to settle close to it. People move when there is too little of it. People move when there is too much of it. People journey down it. People write, sing and dance about it. People fight over it. And all people, everywhere and every day, need it.
Tell me, if you thought a man had a tendresse for you, but he wasn't doing anything about it. And you wanted to hurry him up a little so you made a move, an unmistakable move; one that nobody could pretend had been a misunderstanding. And he - he ignored it - ignored you. What would you feel?
I made a commitment to myself; that I wanted to be an actress, and I wanted to do films that make a difference. It has to move people.
I made a commitment to myself: that I wanted to be an actress, and I wanted to do films that make a difference... It has to move people.
Learn how to draw. It's the basis of what we [animation directors] do. Keep a sketchbook. Try making a very simple little film. Try and tell a story clearly and entertainingly. Study the way people move and animate move. Observe all you can, and try and capture that simply in a few lines on paper.
When my husband gives me this ultimatum, "You either stop singing, or you move out," then it became very clear that what I needed to do - not just because I wanted to sing, but because I didn't want to live with anybody who issued ultimatums to me like that - would be to move out.
I was a superlate bloomer, and I was kind of a prude. I always wanted to be able to keep the number of people I've had sex with very low, because I never wanted to have to tell my future wife, "Oh, yeah, I was with 30 people."
I loved him in that moment, loved him more than I'd ever loved anyone, and I wanted to to tell them all that I was the snake in the grass, the monster in the lake. I wasn't worthy of this sacrifice; I was a liar, a cheat, a thief. And I would have told, except that a part of me was glad. Glad that this would all be over with soon. Baba would dismiss them, there would be some pain, but life would move on. I wanted that, to move on, to forget, to start with a clean slate. I wanted to be able to breathe again.
I am a director because I believe in my own impulses and my own point of view, and that belief encourages me to tell stories that will move, provoke, and change people. But I became a director because I wanted to be a part of the world.
When I decided to move to Chelsea, I got a bit of stick at the time, but I didn't move just because of the money or just because it was a big club. I moved there because I wanted to play for them.
I wanted to say what wasn't being said. I wanted to give people a real story. I wanted people to know people like me exist in the world.
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