A Quote by Gilles Deleuze

Write, form a rhizome, increase your territory by deterritorialization, extend the line of flight to the point where it becomes an abstract machine covering the entire plane of consistency.
Life has always seemed to me like a plant that lives on its rhizome. Its true life is invisible, hidden in the rhizome. The part that appears above ground lasts only a single summer. Then it withers away—an ephemeral apparition. When we think of the unending growth and decay of life and civilizations, we cannot escape the impression of absolute nullity. Yet I have never lost a sense of something that lives and endures underneath the eternal flux. What we see is the blossom, which passes. The rhizome remains.
Capitalism can never pursue deterritorialization to the absolute. What deterritorialization there is within capitalism is always balanced by a compensatory lockdown onto nation, culture, and race. Hence the 'Steampunk' quality of capitalism, where the most ancient traditions can co-exist with the ultramodern.
If you arrive at a concert ready to play your piece, that's not nearly good enough. You must have your music ready to the point where you can play it on a short rehearsal, after a long plane flight, on a strange piano, having had an unpleasant lunch, in an unfriendly atmosphere. You have to be so over-prepared that you can cope with anything.
The difficulty lay with the mind accommodating itself to the notion of the plane, with all its weight, defying gravity, staying aloft. She understood the aerodynamics of flight, could comprehend the laws of physics that made flight possible, but her heart, at the moment, would have none of it. Her heart knew the plane could fall out of the sky.
I can't get used to the ease with which one covers the world today. It's no longer an effort--Pole--equator--oceans--continents--it's just a question of which way you point the nose of your plane. The pure joy of flight as an art has given way to the pure efficiency of flight as a science.... Science is insulating man from life -- separating his mind from his senses. The worst of it is that it soon anaesthetizes his senses so that he doesn't know what he's missing.
Height, width, and depth are the three phenomena which I must transfer into one plane to form the abstract surface of the picture, and thus to protect myself from the infinity of space.
I do not want to presuppose anything as known. I see in my explanation in section 1 the definition of the concepts point, straight line and plane, if one adds to these all the axioms of groups i-v as characteristics. If one is looking for other definitions of point, perhaps by means of paraphrase in terms of extensionless, etc., then, of course, I would most decidedly have to oppose such an enterprise. One is then looking for something that can never be found, for there is nothing there, and everything gets lost, becomes confused and vague, and degenerates into a game of hide and seek.
But actually time isn't a straight line. It doesn't ave a shape. In all senses of the term, it doesn't have any form. But since we can't picture something without form in our minds, for the sake of convenience we understand it as a straight line. At this point, humans are the only ones who can make that sort of conceptual substitution.
Flying back from New York, the flight attendant said 'God, I wished you were here yesterday, we had a stroke on the plane.' I said, 'If I have a stroke on a plane, I hope the pretend doctor isn't the one on the plane. I want a real doctor.'
Flying back from New York, the flight attendant said 'God, I wished you were here yesterday, we had a stroke on the plane. I said, if I have a stroke on a plane, I hope the pretend doctor isn't the one on the plane. I want a real doctor.
When you write, you lay out a line of words. Soon you find yourself deep in new territory.
The highest art form of all is a human being in control of himself and his airplane in flight, urging the spirit of a machine to match his own.
There is always going to be a point where your form becomes patchy and it's down to how long it lasts really.
When I was first assigned to cover the Republican presidential race in 2007, that meant covering John McCain. He was the next in line, and at that point that mattered in the GOP.
I learned there's an amazing unexplored territory in terms of narrative. Before, I thought the unexplored territory was the form, the way you shoot a movie. Now, I'm learning about the beautiful marriage between form and narrative.
The abstract expressionists had that thing of, subject matter becomes content, content becomes form. And I always thought there was no room for style. I felt with my painting, the style really is the content. The style holds everything together.
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