A Quote by Gilles Deleuze

Something in the world forces us to think. This something is an object not of recognition but of a fundamental encounter. — © Gilles Deleuze
Something in the world forces us to think. This something is an object not of recognition but of a fundamental encounter.
The conditions of a true critique and a true creation are the same: the destruction of an image of thought which presupposes itself and the genesis of the act of thinking in thought itself. Something in the world forces us to think. This something is an object not of recognition but of a fundamental encounter
What makes art powerful is a flash of recognition, a frightening encounter with something familiar about the human condition.
As a researcher, every once in a while you encounter something a little disconcerting. And this is something that changes your understanding of the world around you, and teaches you that you're very wrong about something that you really believed firmly in.
Both of us were quiet with the recognition that something was ending, and something was beginning.
How rare that an artist should make something which forces us to think, and encourages us to stop and think, to question why we behave the way we do.
And sometimes, when the stars are kind, we read with an intake of breath, with a shudder, as if someone or something had 'walked over our grave,' as if a memory had suddenly been rescued from a place deep within us - the recognition of something we never knew was there, or of something we vaguely felt as a flicker or a shadow, whose ghostly form rises and passes back into us before we can see what it is, leaving us older and wiser.
Christianity is not a new philosophy or new morality. We are Christians only if we encounter Christ... Only in this personal relationship with Christ, only in this encounter with the Risen One do we really become Christians... Therefore, let us pray to the Lord to enlighten us, so that, in our world, he will grant us the encounter with his presence, and thus give us a lively faith, an open heart, and great charity for all, capable of renewing the world.
We have this window of opportunity; we have a chance to make something real happen. Something possible happen, to live beyond our fear, think about that, and help us. Help lift us up, help us fight this fight to change, - transform - this country in a fundamental way. This chance won't come around again.
I see something - some conjunction of forms - which dominates all others. There is a sudden recognition that in what I have been looking at there is contained a unique series of rhythms... A shiver down the spine arrives to prove the validity of such an encounter.
Of course there is 'Messidependence.' It would exist in any team in the world, but when he is not there, we also have to play and try to win. Leo is fundamental for us and marks the style; it is well known that he is the best in the world for something.
The belief when your mother gives you away is that there's something deeply wrong. Mothers don't give babies away. There's something wrong with me, something unlovable, something seriously flawed in me. It's a fundamental thing; it's precognitive. You feel it rather than think it. How could you not?
The road itself is informative, because it forces you to respond spontaneously and to encounter the unexpected. It forces you to reassess what you felt about people or issues or places, and it forces you to live in the present.
Let's call something a rigid designator if in every possible world it designates the same object, a non-rigid or accidental designator if that is not the case. Of course we don't require that the objects exist in all possible worlds.... When we think of a property as essential to an object we usually mean that it is true of that object in any case where it would have existed. A rigid designator of a necessary existent can be called strongly rigid.
I think one of the shortcomings of reality, of real experience, is most people's inability to examine something carefully and thoughtfully without moving around or being distracted by something else. What photography does really is it forces you to examine something you normally wouldn't.
Go to the object. Leave your subjective preoccupation with yourself. Do not impose yourself on the object. Become one with the object. Plunge deep enough into the object to see something like a hidden glimmering there.
I'm interested in glorifying something that we in the world would say doesn't deserve being glorified. Something that's forgotten, focused on as though it were some sort of sacred object.
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