A Quote by Gillian Flynn

I'm a huge fan of ghost stories, that sort of slow build, the suspense and the questioning about whether you're imagining something or if it's real. — © Gillian Flynn
I'm a huge fan of ghost stories, that sort of slow build, the suspense and the questioning about whether you're imagining something or if it's real.
There is not a great Spanish tradition of ghost stories. But in the period of Franco, you'd find these ghost stories: sort of hidden political movies that were supposed to be about ghosts but were about something else.
I build my stories character-first, and so whether it's a monster or a ghost or a serial killer, the fear of something dark interrupting life has just always been something that matters to me as a storyteller, or what I keep finding myself drawn back to.
One of the very first ghost stories I read - and that was in a forest rest house, where it is a bit scarier - was by M.R. James. He is one of the pioneers of ghost stories. And the book was called 'Ghost Stories Of An Antiquary.'
There's something wonderful about that sort of Poirot, Agatha Christie-style investigation: cross-questioning all the witnesses and checking their stories, looking for means, motive, and opportunity.
If you're just addressing your own emotions and challenging yourself to find some sort of harmonious sense of being in life and questioning authority and questioning what's given and questioning what's expected of you, you're already on the cusp of finding something in yourself, and maybe waking something in somebody else.
I love ghost stories. I remember when I was about 12, I read M. R. James' 'Ghost Stories Of An Antiquary' under the covers, way too young to fully understand what was going on with those stories, completely terrified but absolutely loved them.
I was a super-duper Tupac fan, and I realized later, when I became a huge Nas fan and a huge Eminem fan, I was drawn to the storytellers. They all told stories in different ways, but they were all like the best storytellers.
The only kind of film I want to write is a story where I can keep on seeing the stories play out. I'm a huge television fan, and I'm a huge continuing storyline fan.
I have to say my favorite stories are ghost stories. I don't like to see these made-up monster films or scary films with ghosts. It doesn't do anything to me. But a real ghost story that someone tells me, that I like.
Though they don't always have to be set in fog, weather is incredibly important in ghost stories. As is suspense: you've got to turn the screw very, very slowly.
Today's ghost stories tend to be much more physically or psychologically violent. The Victorians were much more leisurely about what might or could happen, building suspense layer by layer rather than punching you in the face.
Really I'm a fan of any movie, whether it's suspense, action, or comedy - anything that has a good story.
Really I'm a fan of any movie, whether it's suspense, action, or comedy, anything that has a good story.
I read a lot of ghost stories because I was writing a ghost story. I didn't think at all I was writing a horror or a thriller or whatever because it is about a ghost, whereas a horror film can be about aliens or things that rise out of the marsh that have no human shape.
I have always been a pretty big fan of ghost stories.
I'm not a huge fan of very plotty shows. I'm much more of a fan of character-driven stories.
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