A Quote by Gillian Flynn

I think there is something very relatable in the idea that you hit a certain age, later in your life, where you realize you have to pick up the rug and see what's underneath it and deal with stuff.
Are you up? Dressing? (Astrid) No. I’m pissing on your rug. What do you think I’m doing? (Zarek) I’m blind. For all I know you really are peeing on my rug, which is a very nice rug incidentally, so I hope you’re kidding. (Astrid)
I think honesty is the ultimate liberation in life. People want to shy away from the truth and keep sweeping it under the rug. But after a while, you pick up the rug and there's just way too much dirt, so you might as well just be up front about it.
You have to look at your blessings, don't you? With Thrones, I have to realize that, whatever happens, and for all the stress and the pressure that goes with it, it's been an extraordinary journey and I know I'll look back later in my life and think, 'That was crazy, that was amazing.' It's something that very, very few people experience, and I love that.
I have noticed that there are fewer parts for women of a certain age. You hit a certain age, and undoubtedly there's less opportunity. That's not all right. Who wants to see only men on our screens?
Because I don't think it's very healthy to hold people to idealized views. I think that's a certain stage in life, something kids do. You have to go through that idealistic phase with your parents, but at a certain point, you need to see people as just people.
Sometimes, your eyes see something your brain doesn't. You pick up a nmewspaper and yourhead gives you a phrase that you didn't consciously read yet. You walk into a room and you realize something's out of place before you've bothered to properly look. I felt that happening now." "Sam's thoughts on page 304 of Linger.
I think one thing with Sweden is that in some way the Swedish society is a very good society, almost perfect on the surface. That is something that makes the writers forced to see what is underneath the surface, because it's always something underneath the surface, of course.
Our society teaches a woman at a certain age who is unmarried to see it as a deep personal failure. While a man at a certain age who is unmarried has not quite come around to making his pick.
No one expects the rug to be yanked out from underneath them; life-changing events usually don’t announce themselves. While instinct and intuition can help provide some warning signs, they can do little to prepare you for the feeling of rootlessness that follows when fate flips your world upside down. Anger, confusion, sadness, and frustration are shaken up together inside you like a snow globe. It takes years for the emotional dust to settle as you do your best to see through the storm.
I think that idea of alienation, for whatever reason, is still very prevalent within our society and a lot of people deal with it - most people deal with it at some point in their life unless they're sort of the golden child. I think that's something that we all need to address.
'Carrie Diaries' was one of the scripts that was sent my way, and it was instantly something I wanted to work on. It was very charming, and there's a lot of heart to it. It was touching and nostalgic and relatable, and it validates so many coming-of-age issues in an open and honest way. I think it speaks to real life.
I believe in love. I think it just hits you and pulls the rug out from underneath you and, like a baby, demands your attention every minute of the day.
When we see the world through our thoughts, we stop experiencing life as it really is and others as they really are. When I have a thought about you, that’s something I’ve created. I’ve turned you into an idea. In a certain sense, if I have an idea about you that I believe, I’ve degraded you. I’ve made you into something very small. This is the way of human beings, this is what we do to each other.
I'm at a period in my life when I'm figuring out my idea of who I am and what I want and how to hold onto love -- all that big stuff. And I'm starting to realize that it can happen at any age. I know people who are in their 50s who are figuring out what they want and who they are, and I think it's great. It's like you're always approaching life as a beginner.
We were just trying to make the films that we could get made, and to push the envelope. We didn't realize how far we had pushed the envelope. That all came later. That all came from books and articles about the golden age of the '70s. Believe me, to a lot of us, it was no golden age. The studio heads were very powerful then. They would fire guys right and left. They would look at your dailies and tell you what was wrong with them... a lot of stuff that doesn't go on today. Young filmmakers who are successful today, they don't often have that to put up with.
Genealogy of ideas. You don’t get to pick your family, but you can pick your teachers and you can pick your friends and you can pick the music you listen to and you can pick the books you read and you can pick the movies you see.
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