A Quote by Gillian Flynn

I think it's a very female trait to want to please men and to want to be considered the Cool Girl. And if you take that to the farthest reach, where you're actually selling yourself out and degrading yourself by doing things you don't actually want to do, only in order for this man to think that you do, that's a very perverse thing.
What we always want to say [in X-men] is, "It's OK to be yourself, and actually it's a gift to be yourself. Whatever it is that you have, that may be your gift." I think that's what we always want to say, and spread it out, so have tolerance for other people who are different also.
In order to press further with who you want to become, you have to take risks, put yourself out there... That's the only way to discover you're actually capable.
I think when you're younger and you're watching people play on TV, you always say that you want to be at the French Open - you want to be playing Grand Slams. But then actually being there doing it, it kind of blows you away thinking, Wow, I actually used to think maybe I could do that one day, and now I'm actually doing it.
It is very hard leaving home for life on the road. The toll that it takes is actually immeasurable, and you can think all you want about what it does to your relationships, but the way it actually plays out is very deep and very unique to those personalities that are involved.
When I was younger, I used to just want to please everybody and not want to be an issue or not be considered a diva. I've just grown up and realized you have to look out for yourself and stick up for yourself, and there's nothing wrong with that.
First of all, feminism is not man-hating, not man-berating. It is not saying we are better. It is just saying we want the same opportunities, and we want to be able to make decisions on our own without being judged for them. We want the same freedom men have enjoyed over the years, so I think that's the place where we are. And it's completely not mutually exclusive at all for how you want to look, how you take care of yourself, how you want to be, what you want to look like.
I think that's one of the most important thing for a player to have - to have goals for yourself, that you want to make steps, that you want to improve yourself, that you want to go the highest level.
My father had hammered into me, you want to look after your family, you want a nice house, and you want to be able to enjoy yourself, and you have to work very hard for those things. Don't think the world is going to come to you.
I don't want to write things that people don't want to read. I would have no pleasure in producing something that sold 600 copies but that was considered very wonderful. I would prefer to sell 20,000 copies because the readers loved it. When I write books I don't actually think about the market in that way. I just tell myself the story. I don't think I'm talking to a 10-year-old boy or a six-year-old girl. I just write on the level the story seems to call for.
I don't particularly care about having [my characters] talk realistically, that doesn't mean very much to me. Actually, a lot of people speak more articulately than some critics think, but before the 20th century it really didn't occur to many writers that their language had to be the language of everyday speech. When Wordsworth first considered that in poetry, it was considered very much of a shocker. And although I'm delighted to have things in ordinary speech, it's not what I'm trying to perform myself at all: I want my characters to get their ideas across, and I want them to be articulate.
I don't believe you know anything about a man like me or a country like this. It takes rough men, Miss Fair, to tame a rough country; rough men, but good men. Your father is in that class. As for you, I don't think you'd measure up, and you'll do well to leave it. You're a hothouse flower, very soft, very appealing and very useless...In the world you are going to, men want pretty useless women. They want toys for their lighte moments, and we have those women out here, too, only we have another name for them. We want women who can make a home, and if need be, handle a rifle.
You sort of look yourself in the mirror and ask yourself if want to do things if you want to do some cool things and achieve things you've never achieved before.
As a woman, for example, I live and work very much like a man. I take a lot of things from the man's world and I have to do that if I want to survive modern life. Conversely, men have to take things from the woman's world to survive. It's a very beautiful thing that you have to mold your own gender nowadays. But it's a very stressful thing for us.
I think it comes in cycles for Brandy [Burre] and for many women. You want to take care of your home, making it as good as possible for your kids and for yourself, and then eventually you feel trapped and you want to break out of that. You want to be someone else and you want the world to look at you as something else. Eventually, you come back again. The cycles are very much a part of her life.
I think you're always policing yourself by trying to do what you think would be "cool" and accepted by other people, until you start to figure out who you really want to be. Growing up is an ongoing push-and-pull of you being yourself and you performing to what society expects you to be.
I think that men think they need their man caves. They don't really do. They think they want them, and then the second they do get them and they have alone time and time away from the girl, and the girl is really cool with giving them alone time, then that's when they, or at least I, start to think, "So, why are you so cool with me being alone? What's wrong with me that you don't want to be with me every second."
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