A Quote by Gillian Flynn

I love Joyce Carol Oates. I love Margaret Atwood, T.C. Boyle. Arthur Phillips is always consistent. — © Gillian Flynn
I love Joyce Carol Oates. I love Margaret Atwood, T.C. Boyle. Arthur Phillips is always consistent.
I took a couple of creative writing classes with Joyce Carol Oates at Princeton University, and in my senior year there, I took a long fiction workshop with Toni Morrison. I fell in love with it.
Paper is like Joyce Carol Oates: white.
Unless you're Stephen King or Joyce Carol Oates, no one's going to recognize you on the street, and you're promoting your book, not yourself.
I send all my short fiction to 'Ontario Review' because Joyce Carol Oates is associate editor there, and I think she's fantastic.
In college, I discovered the Joyce Carol Oates short story 'Where Are You Going, Where Have You Been?' which is definitely one of the most incredibly unnerving, frightening short stories ever written.
When I was in college, I had the good fortune to have Joyce Carol Oates as my writing teacher. She told me that I could take an aspect of myself, and from that one bit of personality, I can create a character. This is what I have done, particularly in my novels.
I don't teach literature from my perspective as 'Joyce Carol Oates.' I try to teach fiction from the perspective of each writer. If I'm teaching a story by Hemingway, my endeavor is to present the story that Hemingway wrote in its fullest realization.
I don’t ask writers about their work habits. I really don’t care. Joyce Carol Oates says somewhere that when writers ask each other what time they start working and when they finish and how much time they take for lunch, they’re actually trying to find out, "Is he as crazy as I am?" I don’t need that question answered.
I like science fiction. Arthur C. Clarke, Philip K. Dick and Vonnegut, and I really like Margaret Atwood, The Handmaid’s Tale. And you know, so much of science fiction has to do with predicting what’s to come, so I think that’s really interesting.
I like science fiction. Arthur C. Clarke, Philip K. Dick and Vonnegut, and I really like Margaret Atwood, 'The Handmaid's Tale.' And you know, so much of science fiction has to do with predicting what's to come, so I think that's really interesting.
A part of what makes myths live is their multiplicity, the way different voices retell them in every generation. Homer survives because his poetry was outstanding, yes, but also because he's been passed down by so many by luminaries like Vergil and Ovid, Shakespeare, James Joyce and Margaret Atwood, but also by countless others. I wanted to do my part for these tremendous stories.
There isn't one album that says 'Hall & Oates.' It's always 'Daryl Hall and John Oates.' From the very beginning. People never note that. The idea of 'Hall & Oates,' this two-headed monster, this thing, is not anything we've ever wanted or liked.
Who was it recently invented some machine that will enable her to sign a book from 5,000 miles away? Margaret Atwood. Get off your arse, love, and sign it in person. Publishers and circumstance made you a bestselling author. Give a little back.
My advice is not always so logical and consistent. But then, love is not logical and consistent. So why should my advice be? If you want that kind of thinking, go to a computer. Computers are always logical and consistent, and you see how often they get proposed to.
I don't think it's any fun, even if you are one of the most respected authors in the world like Margaret Atwood, to keep being nominated and not win.
The one thing I always talk about in terms of restaurants is consistency. I think that's what we love about the vodka, is that it's consistent. It's consistent in its pureness and that's how I tie it to restaurants. When I think of a good restaurant, it's where the food has been consistent; there's always a consistency.
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