A Quote by Gillian Flynn

Even good characters have their dark sides, and I think it is important that women aren't seen as innately good. — © Gillian Flynn
Even good characters have their dark sides, and I think it is important that women aren't seen as innately good.
When it comes to writing characters, whether men or women, I think a good writer writes good characters. I know many men who, for years, have written strong, progressive women characters.
When you look at territorial disputes, there are good arguments on any sides. I think it's important that we don't take sides on legitimacy.
I would say, A, you can't really teach anyone how to write good characters, because it's something you have to teach yourself or already have innately in you as a storyteller, and, B, coming up with a good screenplay is a very, very small fraction of what it takes to be a good screenwriter.
I like to think that good people win. But even good people have other sides. Most people will slow down to get a good look at an accident, even though they won't admit it.
We can bring to characters dark and bright sides that nobody even dreams about.
My belief is that people are innately good and innately do want to help their fellow man.
There's some downsides to being famous, which are not even worth mentioning. But to combat the bad sides of being famous, you really should take advantage of the good sides. The good sides are, you can use that fame to get projects you might not normally get.
I think we're innately good. But it doesn't mean we're gonna do good all the time. It means you have to strive.
I'm a firm believer that if you put together a good product that is just good policy, that is embraced by both sides so that it is seen as politically advantageous to the Republicans or Democrats, that even in this very polarized partisan world that you can advance legislation. I have to believe that, or I wouldn't want to get up every morning.
[Good managers] know that people have 'good' sides and 'bad' sides and that the secret of good management is in magnifying the former and toning down the latter.
Yeah, we've become really good friends. Our characters start dating in the book, and um, yeah, I think we - and we made up little back stories to our characters and little outtakes that we'd bring up to Edgar as a joke, and you know, kind of see different sides of stuff. So yeah, we have a really good time.
The really potent part of love is that it allows you to carry around beliefs about yourself that make you feel special, desirable, precious, innately good. Your lover couldn't have seen [these qualities] in you, even temporarily, if they weren't part of your essential being.
I don't understand women who don't encourage each other. I think compliments and showing affection are really important, too. Women don't do that enough, and it's so essential because even if you're shy about giving a compliment, it's good energy; it's uplifting.
The characters that I want to play are interesting women. I don't care if they're good women or bad women or vulnerable women or women with a lot of faults or women that we dislike intensely who are malicious.
In general, I think writing characters, no one is 100 percent good or bad, and certainly, the bad characters never think they're bad themselves. Even the worst characters don't feel like they're bad guys on the inside.
Of the good in you I can speak, but not of the evil. For what is evil but good tortured by its own hunger and thirst? Verily when good is hungry it seeks food even in dark caves, and when it thirsts it drinks even of dead waters.
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