A Quote by Gillian Flynn

I love the way the Victorians found a way to put faces in everything: you know, furniture and marble and, you know, everywhere you turn around - the banister, you know, there's someone looking at you.
I'm a producer. I'm a musician. And my job is to come in and, you know, put - you know, I treat all of the artists that I work with, like, you know, the way da Vinci was looking at Mona Lisa, you know, there's an interesting backdrop.
What you really have to know is one: yourself. And the only way you can know that one is in the mirror of the others. And the only way you can see into the mirror of the others is by love or its opposite—by profound emotion. Certainly not by curiosity—by dancing around asking, looking, making notes. You have to live relationships to know.
How are you going to protect me?? do you even know what it means to protect someone?? you think giving a crying person icecream is a way of comforting or protecting them?!?! you don't even know anything! you don't know how to love someone, you don't know how to show love, and you don't know what it means to protect someone. you hurt people without realizing it
The two of you, there's something uncanny about the way you two are with each other. I mean everything--the way you look at each other, the way she relaxes when you put your hand on her back, the way you both seem to know what the other is always thinking, it's always struck me as extraordinary. That's another reason I keep putting marriage off. I know I want something like what you two share, and I'm not sure I've found it yet. I'm not sure I ever will. And with love like that, they say anything's possible, right?
You have to trust that the dots will somehow connect in your future... The only way to do great work is to love what you do. If you haven’t found it yet, keep looking. Don’t settle. As with all matters of the heart, you’ll know when you find it... Have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary.
I know if I told you what God looked like and felt like then I'd be telling you a story. I just think we don't know. God manifests himself, herself or itself in a way that we need it, in a way that we can grab a hold of and a way that we can put our arms around.
We live as if we know how everything will turn out. I certainly lived that way. But we don't know anything. Really, we don't.
I want to break down the wall of, you know, you have to put on a jacket and tie, and you have to act a certain way, and you have to know how to order the right kind of wine. All these things have suddenly been built up around jazz and the way it's presented.
The Universe story is the quintessence of reality. We perceive the story. We put it in our language, the birds put it in theirs, and the trees put it in theirs. We can read the story of the Universe in the trees. Everything tells the story of the Universe. The winds tell the story, literally, not just imaginatively. The story has its imprint everywhere, and that is why it is so important to know the story. If you do not know the story, in a sense you do not know yourself; you do not know anything.
How do I know that there is a God? In the same way that I know, on looking at the sand, when a man or beast has crossed the desert - by His footprints in the world around me.
There's no way to know exactly what someone's dealing with, no matter how open you are. You're just never going to know everything.
These are two different exercises. One of them is, "You don't know and I know, so just shut up and listen," and the other one is, you're curious and you're learning, and I have a way where you can learn this so you'll know it as well. And when you know it, and know why you know it, then you don't have to reference me ever again because you take ownership of the knowledge, and you can then share it with someone else.
Very often the people who are shooting your film do not look like you if your film is brown-centric in some way. What is very interesting is to be going through these scenarios and turning around and looking at so many faces that are not yours. Even though those faces are looking at you in love, it puts you in a space when you are on a plantation in that condition. I think that it allows you to see further into possibly what that place really was for someone else, except thank God we're with people who love and respect us.
I could be ordering ham at the deli, and someone will turn around and look at me and kind of stare. They'll just look at me like, 'I know I know your voice, and I know I know your face.'
Those who know me know I won't hesitate to turn around and point someone out.
America has an economy reversing relative to other nations in the world. And I want to turn that around. And one way I know to turn it around is to get everyone excited about what it is to innovate again.
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