A Quote by Gillian Flynn

I've always had a fondness for the Gothic. That's what kind of stories attract me: Why do people do bad things? — © Gillian Flynn
I've always had a fondness for the Gothic. That's what kind of stories attract me: Why do people do bad things?
Even at the beginning when I arrived at Givenchy, there were certainly people who supported me, but not everyone loved me. They were saying, "Why an Italian who acts Gothic?" Never mind the fact that Italy is one of the main exhibitors of Gothic art in the world. But it was like, "No, Italians should only do sexy!"
I always look at films as real stories with real people in real situations. That's why I struggle with the whole notion of calling someone the 'good guy' or the 'bad guy', because I think we all have potential to do good things and all have the potential to do bad things.
I always look at films as real stories with real people in real situations. That's why I struggle with the whole notion of calling someone the 'good guy' or the 'bad guy,' because I think we all have potential to do good things and all have the potential to do bad things.
I loved fairy tales when I was a kid. Grimm. The grimmer the better. I loved gruesome gothic tales and, in that respect, I liked Bible stories, because to me they were very gothic.
We've had crooks from the beginning of time... it's always very interesting and troubling why good people do bad things.
With 'The Keep,' I began with a theory about pitting the isolated disconnection of the gothic realm against present-day hyperconnectedness. I emerged feeling that the gothic genre is all about hyperconnectedness - the possibility of disembodied communication - and that we now live in a kind of permanently gothic state.
Depending on who I am talking about or who's talking through me - if the person is a kind of hip-hop, or rhythm and blues person, or if the person is a kind of old-fashion gothic, meaning gothic attitude, then that will determine what form the poem will take.
I am drawn to Americana, and I am drawn to gothic stories, and I love American gothic stories.
I've always felt bad that I never had more information to give people when they asked me about it, but I guess people kind of got frustrated by that and they just started kind of making up their own sort of "well, we haven't heard that much" or "news hasn't changed so it must be going away".
You can use your means in a good and bad way. In German-speaking art, we had such a bad experience with the Third Reich, when stories and images were used to tell lies. After the war, literature was careful not to do the same, which is why writers began to reflect on the stories they told and to make readers part of their texts. I do the same.
People say bad things about me. I've had people tell me, "You know, Rush, I've been telling people to listen to you and listen to you, and I finally get 'em to do it, and then you say something so offensive, and they look me, 'You listen to this?' And I'm tired of defending you, Rush. Why do you say stupid things?" I know what this is like.
One futuristic novel that had a huge impact on me was Mary Shelley's 'Frankenstein,' which is kind of science fiction plus Gothic.
I always assumed people wanted to hear me tell stories, but then I had 'The Sunset Tree.' It turned out, my own stories were the ones that registered with people the hardest.
Bad things do happen in the world, like war, natural disasters, disease. But out of those situations always arise stories of ordinary people doing extraordinary things.
He had read books, newspapers and magazines. He knew that if you ran away you sometimes met bad people who did bad things to you; but he had also read fairy tales, so he knew that there were kind people out there, side by side with the monsters.
I've always had opinions on what was going on in my community. I always knew a lot of people listened to me, so why don't I speak on police brutality and things like that?
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