A Quote by Gillian Jacobs

In sixth grade, we all had to write this opinion paper. Most wrote about things like why we should be able to chew gum in class - I wrote about why women should receive equal pay.
I took to writing as my medicine to help me stay afloat in acting career journey. I wrote about me breaking hearts, and my heart being broken. I wrote about my views whether they were liberal or conservative. I wrote about everything. I wrote about my life. When I did not have paper coming in as green backs, I'd use random pieces of paper for stories. It was like, I got no money, but I have paper to write. So I wrote.
At Princeton I wrote my junior paper on Virginia Woolf, and for my senior thesis I wrote on Samuel Beckett. I wrote some about "Between the Acts" and "Mrs. Dalloway'' but mostly about "To the Lighthouse." With Beckett I focused, perversely, on his novels, "Molloy," "Malone Dies," and "The Unnamable." That's when I decided I should never write again.
There should be a class on drugs. There should be a class on sex education-a real sex education class-not just pictures and diaphragms and 'un-logical' terms and things like that.....there should be a class on scams, there should be a class on religious cults, there should be a class on police brutality, there should be a class on apartheid, there should be a class on racism in America, there should be a class on why people are hungry, but there are not, there are classes on gym, physical education, let's learn volleyball.
Why, since man and woman were created for each other, had He made their desires so dissimilar? Why should one class of women be able to dwell in luxurious seclusion from the trials of life, while another class performed their loathsome tasks? Surely His wisdom had not decreed that one set of women should live in degradation and in the end should perish that others might live in security, preserve their frappeed chastity, and in the end be saved.
I got a letter one day from somebody saying, `You're always criticizing the press. Why don't you talk about what Clay Felker is doing to your own paper [The Voice]?' And my 10-year-old son Tom, now with Williams & Connelly, put in a legal opinion, not - an opinion from the back of the car saying, `You know why? What are you, afraid?' So I wrote the column. I - you know, - the column simply said that Felker is destroying this paper.
A woman journalist in England asked me why Americans usually wrote about their childhood and a past that happened only in imagination, why they never wrote about the present. This bothered me until I realized why - that a novelist wants to know how it comes out, that he can't be omnipotent writing a book about the present, particularly this one.
It shouldn't be a Higgs field. If it's anybody's, it should be Goldstone field, I think. When Nambu wrote his short paper in 1960, Jeffrey Goldstone of Cambridge University, who was visiting Cern, heard about it. He then wrote a paper which was conceptually similar to what Nambu had done, but a simpler model.
I don't see why ogling same-sex kissing should be the exclusive domain of frat boys whacking off to lesbian action, that's so sexist. Feminism should be all inclusive- it should be about sexual liberation, equal pay for equal work, and the fundamental girl right of boy2boy appreciation.
The first song I wrote was called 'Here I Go Falling In Love' I wrote it in the sixth grade.
What's funny about Jesus' Son is that I never even wrote that book, I just wrote it down. I would tell these stories and people would say, You should write these things down.
Just because I write some songs about bad women, though, that doesn't mean I hate women. I've written songs that show great love and respect for women too. Songs that talk about strong, upstanding women and their pain. I have women working on my music. They understand where I'm coming from. So does my mama. I always play my music for her before it comes out. Why do you think I wrote "Dear Mama"? I wrote it for my mama because I love her and I felt I owed her something deep.
I feel like there's no subject that can't be sung about. I wrote a song dedicated to people with inflammatory bowel disease, and then I wrote about shoes. And mangoes. Every rock should be turned.
I've wanted to perform my entire life. I found a paper I wrote in kindergarten class about what I wanted to be when I grew up - and I wrote 'a famous singer!'
What does purpose mean? It means the deepest desire for our short lives to mean something. . . . To speak a language of purpose is to return to first principles and to be able to answer, in plain English, the plain questions of Why? Why should we chip in to help someone else? Why should we defer gratification? Why should we care about the long term? Why should we trust anyone who seems to be limiting our ability to do what we want?
I think the story is important in every business. Why do you exist, why are you here, why is your product different, why should I pay attention, why should I care?
The secret of it all, is to write in the gush, the throb, the flood, of the moment – to put things down without deliberation – without worrying about their style – without waiting for a fit time or place. I always worked that way. I took the first scrap of paper, the first doorstep, the first desk, and wrote – wrote, wrote…By writing at the instant the very heartbeat of life is caught.
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