A Quote by Gillian Jacobs
I love discovering new young brands and watching these fashion lines take off, like Peter Pilotto, Christopher Kane, and Clover Canyon.
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There is so much talent in British fashion: a real cookie jar of different aesthetics with designers like Mary Katrantzou, Erdem, Christopher Kane, J. W. Anderson, and Simone Rocha.
I like 'Elle' magazine. I love things online, like when all the big brands have a fashion show, I like to see the new collections.
I would like to work with brands I personally love, like Haider Ackermann, Chanel, or Off-White, to even newer brands like Rhude and A-Cold-Wall. It's easier and more organic when you know and love the brand already.
[Clover] secretly hitched a ride with a nice German couple and their new baby...Clover appeared to the baby, so as to be a delightful, soothing surprise. Well, the child did like Clover. In fact, she held him and cooed. When the parents turned around to look at her and saw their child holding a furry, living creature, they needlessly panicked.
I love Maje, Rick Owens, Helmut Lang, Christopher Kane, Felder + Felder, and Sam Edelman shoes.
Fashion, in a way, has become like pop culture today. With all of the communications and the Internet and the designers doing lines with big brands, it's more popular than it's ever been, but everything is all mixed together. It's become like television or music.
I became a horror fan during the early 1960s, back when Hammer was putting out their groundbreaking 'Dracula' series with Christopher Lee and Peter Cushing, and grew up watching 'Dark Shadows.'
I love Opening Ceremony, Kenzo - anything Humberto Leon and Carol Lim touch. I drool over Christopher Kane, Mary Katrantzou, Delpozo, and Wes Gordon.
I very much like Christopher Kane. He actually did a work placement with me, and you could spot his talent straight away.
I learn from Kevin Spacey and Tom Hardy, watching these guys work, the things they all do differently. Tom never stops exploring and discovering, take after take. His mind never turns off.
Fashion lives in the world of ideals; it is not necessarily grounded in the real world. The question becomes whose ideal it is. My ideal happens to be diversity. I love difference. I love change. I love experimentation and eccentricities. I like not knowing something and then discovering. Fashion can only reflect this diversity if we designers have an open and curious mind.
I was a very young girl and I got into fashion very much by accident, wanting to be independent. What was wonderful was that while I was learning and discovering - learning about the work, discovering myself as a woman - I was allowing other women to feel the same way.
Some people collect stamps; I like fashion, discovering nice new things. I feel good about doing that.
With celebrity being our new religion, it's increasingly difficult to start up on your own. Talented young designers are more likely to either go and work for celebrity brands or huge fashion houses than ever before.
I've always been into fashion since I was a kid. I love fashion. I appreciate it. I just enjoy dressing up and getting all the new sneakers and all the hot exclusive clothes - I did even when I was young.
For a man so incredibly hairy and square, watching my dad get on a bike was like watching a penguin spread its wings and take flight. He'd take off at inhuman speed, a smile on his face, and never look back.
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