A Quote by Gillian Jacobs
You have to have an awareness of where you're going, what the event is, what you're promoting, and who the audience is. That always informs the way you dress.
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For me, the costume is 50% of everything. It informs posture, it informs flexibility, it informs the way you walk, it informs what the character is capable of doing, at any time.
When technology is used as a gimmick it can be a terrible distraction. The trick is to harness technology in a way that empowers the audience, informs them and brings them closer to the action. CNN has always been an innovator on election night, with the Magic Wall leading the way. Tonight, for the first time, and we're going to put the Magic Wall in the hands of our audience. Along with our partners at Microsoft, we have built a tool to let our users drill down into the key races and access a great deal of data, real time, as the results are unfolding.
Sometimes you read a passage by a great writer, and you know what he says and how he says it will always be, for you, the only possible way it could be. Less often a painter will describe an event in a way that fits into your interpretation of that event so perfectly that it becomes the event itself.
I dress in a sophisticated and classy way - I always dress in a way I know my mother wouldn't be embarrassed to see.
I realized a very long time ago, that I was never going to be the guy who, 'Oh, you look so big, let's push him in the main event and see,' or, 'Oh, this guy's got the best physique ever, let's put him in the main event and see.' It was always going to be the hard way.
News has a way of distancing us from events, even as it informs us about them. News articles almost always present both the event and the responses at the same time - how is President Barack Obama or Congress responding to the events? I think this reflects a deep need we have to feel that things are under control and that events are subject to our influence.
I never look at twists as a way to trick the audience. Obviously, I think a good story has surprises and unexpected turns, and you always want to do that with an audience. But it has nothing to do with conning them or making them believe so strongly in one thing and then kind of going the other way.
I think that the way to have style is to accept where your body is right now, heavier or skinnier, whether you're going to change in the future and dress it as it is. The fact is you can always find clothes. It may be harder for plus sized people, I completely understand that. But I don't believe that it's impossible to dress with style.
For me, drawing is everything, because it informs everything. It even informs my poetry. It's the way I begin everything.
I always think the best way to dress is when the person notices you first and the dress after.
Awareness, not deprivation, informs what you eat. Presence, not shame, changes how you see yourself and what you rely on.
I've spent a lot of time self-reflecting. Especially as an actor, you have to know yourself really well in order to do things effectively. And when I dress, I dress for me. I don't dress to make other people think that I'm this way or that way.
If I'm doing an event, if it's a charity event, where it's a walk-around event, where I gotta put a thousand small plates out in the course of a four-hour event, I gotta make sure I can do something that I know I can produce, that's going to be consistent and good all night long.
I always knew that if I was ever going to perform something that I wrote in front of an audience, I was going to do the thing I most like to experience as an audience member, which is to be tricked.
No matter the event, a Super Bowl, an NFL game, a rank-and-file golf tournament, there is a demand when you are live and exposed to try to get it right and do justice to the event. That's the way I have always approached it.
If you're looking for a dress to wear to an event, put it on with the heels that you're going to wear and walk around the room and make sure you feel comfortable in it.
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