A Quote by Gillian Jacobs
I have a lot of good stories for talk shows about the conditions in which I worked.
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Doing TV shows helps me a lot in my screenplay writing and filmmaking, especially since my TV shows are in different formats: comedy sketches, talk shows, debate programs, art variety shows, quiz shows. These enable me to meet interesting people with interesting stories and to learn about interesting subjects, all of which I can reflect into film.
Confusion conditions activity, which conditions consciousness, which conditions embodied personality, which conditions sensory experiences, which conditions impact, which conditions mood, which conditions craving, which conditions clinging, which conditions becoming, which conditions birth, which conditions aging and death.
Because crime stories reveal an aspect of our personality that everybody has, but which we normally keep very deeply hidden. We like to talk about the good sides of ourselves. We don't like to talk about our hatreds, our distrusts of one another, our secrets, but crime stories drag those things to the surface and consequently they fascinate people and always have throughout all history.
I like filming in New York a lot myself, but London is accommodating to me; the weather's very good there and the conditions for shooting and the financial conditions, the artistic conditions are good, so it's a pleasant place to shoot.
Of all the things about de Sade, I would argue he is funny. A lot of people didn't understand de Sade. No. 1, he is a very good writer, and No. 2, he had the courage to talk about a lot of things that in public, even now, almost nobody has the courage to talk about. He would do it with a kind of funny way - not the stories themselves, but the way he tells them. He is never serious.
I think that the difference between 'The Sopranos' and the shows that came before it was that it was really personal. There had been a lot of dramas, a lot of really good ones, a lot of really bad ones, but they were always franchise shows about cops, or doctors, or lawyers. They weren't about the writer himself.
I think that the difference between The Sopranos and the shows that came before it was that it was really personal. There had been a lot of dramas, a lot of really good ones, a lot of really bad ones, but they were always franchise shows about cops, or doctors, or lawyers. They weren't about the writer himself.
I've worked on shows where the actors don't talk to each other, and if they want to talk to each other, they talk through the director. What kind of existence is this? If I have to spend 14 hours a day with somebody, we're in a relationship. We'd better talk it out.
I hear all the time that boys don't like stories about girls. Which never made much sense to me. Wasn't 'Terminator' about a girl? And 'Alien'? Hell, I grew up on 'The Wizard of Oz.' People enjoy stories about anything if they're good stories.
Yes, we could talk to you for days on end about all the bad first dates. Those are stories. Funny stories. Awkward stories. Stories we love to share, because by sharing them, we get something out of the hour or two we wasted on the wrong person. But that's all bad first dates are: short stories. Good first dates are more than short stories. They are first chapters. On a good first date, everything is springtime. And when a good first date becomes a relationship, the springtime lingers. Even after it's over, there can be springtime.
I get really frustrated during a crisis when I go through all the cable channels and find - very often with the exception of CNN - that I'm not watching news at all. You think, 'Well, God... there are talk shows, talk shows, talk shows and everyone is an expert!
I get really frustrated during a crisis when I go through all the cable channels and find - very often with the exception of CNN - that I'm not watching news at all. You think, 'Well, God... there are talk shows, talk shows, talk shows and everyone is an expert!'
I’ve been on a lot of shows that nobody cared about. This one’s fun because a lot more people are interested in the show, wanting to talk about the mystery and that kind of stuff.
When you start to look at completing the development of a modern professional army, when you talk about maturing a democracy, when you talk about development and the economic conditions that have to be addressed, a decade is not too short a period of time to talk about.
You don't get white comedians being asked to talk about their race in their shows. I should be given the same agency to talk about what I want to talk about.
I do have a tendency to talk a lot at the poker table, which throws people off because they spend a lot of time trying to read me. But I talk a lot when I have a good hand and when I have a bad hand, too. Sometimes it annoys people so much they can't wait to get out of the tournament. And that can only be good for me.
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