A Quote by Gillian Welch
I love that there's this tradition of being able to discuss the heaviest topics and the gnarliest stuff that goes down in people's lives in traditional Southern American music.
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Humor is this great equalizer. It gets people's defenses down, and once they're down, you can discuss some really difficult topics.
Many people who attack me know so little of that larger Tradition, and end up being not very traditional at all. When you invoke the whole and great Tradition, you end up scaring people who call 1950 America "traditional" Christianity. It is just what they are used to in their one limited lifetime.
I am perfectly capable of writing things about myself that one doesn't discuss in polite company, but I was raised by people who said you don't discuss politics, you don't discuss religion, and you certainly don't discuss people's sex lives.
I'd turn off the internet for a month and make us actually talk to each other, and be responsible for your opinions and not be able to hide behind the anonymity of the cyber-wall to speak your mind. To actually have to face people and see their reactions and discuss it - actually discuss it. It won't happen. Unless the grid goes down.
I'm at the heaviest I've ever been in my life now and it took me being the heaviest to finally love myself.
An auctioneer is such a uniquely American thing. I keep thinking in my head, perhaps it's not as American as I think, but it feels so Southern. It feels so American. Like, hundreds of years of American tradition is involved in it.
So it's not really whether you talk about politics, but how well were you able to do it. Peter Gabriel and Sting get away with it...U2...the examples are there, of people being able to carry these subjects in the music, and the audience is absolutely able to embrace subjects that aren't just the stuff they already know about. And they're actually able to learn stuff.
I love being Southern because of the people and the fans we have. People down here are more friendly - really warm people.
I am fascinated by the places that music comes from, like fife-and-drum blues from southern Mississippi or Cajun music out of Lafayette, Louisiana, shape-note singing, old harp singing from the mountains - I love that stuff. It's like the beginning of rock and roll: something comes down from the hills, and something comes up from the delta.
Church is the people that we get to do life with. It's the people that have courageous conversations with us. It's the people that love us. It's the people that invest in us. It's the people we get to do life with. And we also get to share with them. It's being able to have those people in our lives who we're able to inspire and they're able to inspire us. When we're down, they pick us up. When they're down, we pick them up. Iron sharpens iron, so one man sharpens another.
This is just the way it goes: there's always a cycle with music - it goes up and it goes down, it goes risque and it goes back, it goes loud then it goes soft, then it goes rock and it goes pop.
Despite my great disappointment in American foreign policy, I am very proud of the American tradition of wild land conservation. It is the best tradition and example of land conservation in the world. It goes back a long way.
Being in country music is what I love. It's who I am. Being able to be a gay man in country music and continue to break down walls and change hearts and minds has been really important to me.
New vaccines are being developed all the time, which could save many more lives and dramatically improve people's health. And this goes beyond the traditional burden of childhood infectious diseases.
The standardization of world culture, with local popular or traditional forms driven out or dumbed down to make way for American television, American music, food, clothes and films, has been seen by many as the very heart of globalization.
People love the traditional pantomimes and I don't think we need to disregard that tradition.
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