A Quote by Gillo Dorfles
Every ambiguous, false, tearful, emotional exaggeration brings about that typically kitsch attitude which could be defined as "sentimentality."
Related Quotes
High-class kitsch may well be "perfect" in its form and and composition: the academic painters were often masters of their craft. Thus, the accusation that a work of kitsch is based not on lack of for or aesthetic merit but on the presence of a particularly provocative emotional content. (The best art, by contrast, eschews emotional content altogether.)
The maker of kitsch does not create inferior art, he is not an incompetent or a bungler, he cannot be evaluated by aesthetic standards; rather, he is ethically depraved, a criminal willing radical evil. And since it is radical evil that is manifest here, evil per se, forming the absolute negative pole of every value-system, kitsch will always be evil, not just kitsch in art, but kitsch in every value-system that is not an imitation system.
Kitsch parodies catharsis...It is in vain to try to draw the boundaries abstractly between aesthetic fiction and kitsch's emotional plunder. It is a poison admixed to all art; excising it is today one of art's despairing efforts.
There is a false modesty, which is vanity; a false glory, which is levity; a false grandeur, which is meanness; a false virtue, which is hypocrisy, and a false wisdom, which is prudery.
The Rolling Stones have been the best of all possible worlds: they have the lack of pretension and sentimentality associated with the blues, the rawness and toughness of hard rock, and the depth which always makes you feel that they are in the midst of saying something. They have never impressed me as being kitsch.
With adoption, there is a whole range of experiences, and a lot of it goes under the radar. There is too much icky stuff about it - all this stuff about people reunited, a sickly sentimentality about blood lines. For me, at least, life is much more ambiguous than that.
The trumped-up charges against kitsch and sentimentality should disturb us and make us suspicious.
We must look at our life without sentimentality, exaggeration or idealism. Does what we are choosing reflect what we most deeply value?
If you're striving for strong emotion and strong sentiment, and you're authentic with it and honest with it, then you're on the right side of the line. But if you step into sentimentality, there is a false move or a false tone to it.
I was an emotional wreck even as a young child, fearful and tearful.
A computer is a general-purpose machine with which we engage to do some of our deepest thinking and analyzing. This tool brings with it assumptions about structuredness, about defined interfaces being better. Computers abhor error.
Kitsch evokes a future utopia looking back at a past that is selectively (mis)remembered, thereby helping to stabilize the present toward which kitsch is otherwise deeply anatagonistic.
Nothing can be true which is either complete or vacant; every touch is false which does not suggest more than it represents, and every space is false which represents nothing.
Typically, I would say that I'm not defined by one loss and I'm not defined by one win. But I'd be lying if I told you I didn't harp on the loss at Madison Square Garden.
If cynicism and love lie at opposite ends of a spectrum, do we not sometimes fall in love in order to escape the debilitating cynicism to which we are prone? Is there not in every coup de foudre a certain willful exaggeration of the qualities of the beloved, an exaggeration which distracts us from our habitual pessimism and focuses our energies on someone in whom we can believe in a way we have never believed in ourselves?
Kitsch may be conveniently defined as a specifically aesthetic form of lying.
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