A Quote by Gina Bellman
I have always liked family-type dramas; I just think the dynamics in families make for some really interesting characters.
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I have always liked kind of outsider characters. In the movies I grew up liking, you had more complicated characters. I don't mean that in a way that makes us better or anything. I just seem to like characters who don't really fit into. You always hear that from the studio: "You have to be able to root for them, they have to be likeable, and the audience has to be able to see themselves in the characters." I feel that's not necessarily true. As long as the character has some type of goal or outlook on the world, or perspective, you can follow that story.
I think that's actually what draws me to family stories: the various roles we each play with each member of our families, and how different they can be from who we are with our friends and partners and lovers. I'm endlessly fascinated by how we navigate these family dynamics; they are the dramas each of us live out day after day, often in ways we don't even realize.
Idea of the generations continuing is really important. And that's interesting to me. I write about families; I'm interested in families. Even though I think a family can be just two people or two people and a dog, I really wanted children for that reason.
I just love doing broader work - I always get asked to do fairly heavy-duty, intense dramas and interesting, psychologically intense characters. But you know, it's nice to make people laugh sometimes.
I just love doing broader work - I always get asked to do fairly heavy-duty, intense dramas and interesting, psychologically intense characters. But you know [sigh], it’s nice to make people laugh sometimes.
I think there's a lack of really, really good funny scripts out there that work on all the levels that they're supposed to - which is to say that they're not just funny but they have interesting characters that people are going to like and be invested in. I've done a bunch of movies that haven't worked but I like to think I've done some that have worked and that's because not only is the comedy there but the characters and storylines are interesting. The characters are real and relateable and people were invested in them.
Most of my characters are an amalgamation of people that I've met, my family, or myself. Being a writer, you can draw only from what you know. I am lucky to have really rich and interesting people in my family for, you know, interesting family nights and great characters.
Even while I'm really interested in playing female characters that are varied and interesting and dynamic, I'm not of the mind that you always want to play strong female characters. I think I just want to play characters that are interesting, and not all people are 'strong.'
I think most families have a few secrets or some strange aspect to their history. We're all fascinated by family dynamics, but I'd much rather sit in an audience and watch someone else's problems!
A big thing in the LGBTQ community is finding family because some of us have loving families and some of us really don't, so we have to go out there and make our own families.
I nodded. I liked Augustus Waters. I really, really, really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially fraught free throws. I liked that he was a tenured professor in the Department of Slightly Crooked Smiles with a dual appointment in the Department of Having a Voice That Made My Skin Feel More Like Skin. And I liked that he had two names. I’ve always liked people with two names, because you get to make up your mind what you call them: Gus or Augustus? Me, I was always just Hazel, univalent Hazel.
I'm a big fan of human dynamics. Nothing fascinates me more than really interesting people and human dynamics.
The first script I got was Narc and I really responded to it; it reminded me of a '70s type movie, I really liked the characters, I didn't anticipate the ending.
Just never really got into cars and flossin' or never really cared, like I was always the type of person that felt like as long as I make enough money to support my family with this music that's all I really care about. You know what I mean so I don't really buy, I'm just not into like that many material possessions and stuff like that, because at the end of the day, it's just not that important.
I'd love to do radio plays. I think that one should be open to everything and shouldn't limit oneself. I particularly love theater, but with my family situation, it's much harder for me to do that now. I just love a challenge, and always have, and will do anything to make it interesting. I'll try anything, really, as long as it's a challenge and you can have some fun doing it. I think, honestly, having fun and keeping it fairly light are the key elements.
It's not like I want to be Prince Charming when I do dramas. But I think I've always shown such an image because that's just the way Korean dramas work.
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