A Quote by Gina Bellman

I carried on acting during school holidays and was all set to go to drama school when I was offered my first professional job appearing in 'King David' with Richard Gere. — © Gina Bellman
I carried on acting during school holidays and was all set to go to drama school when I was offered my first professional job appearing in 'King David' with Richard Gere.
I didn't go to drama school because, from the first refusal I then, as I said, a couple of weeks later, was offered a professional job, where I am immensely grateful to the journey.
I made a very concerted decision to go to drama school in the United States. But I did have the opportunity to go to Britain's Central School of Speech and Drama, and my dad and I had a few tense words about that. He wanted me to go to British drama school.
David Hayman gave me my Equity card and my first job out of drama school - the first person I really looked up to professionally.
I went to drama school but soon realised I was terrible at acting, so I ditched drama school for art school.
My first professional acting job was on 'Boss'. My first acting job was basically my first acting class. I had to show up on set prepared and knowing my lines. Also, I got a chance to work with a living legend, Kelsey Grammar - that gave me hands on experience.
I enjoyed acting at school and went to an acting workshop for kids in Nottingham. It was twice a week after school and free to go to - ITV subsidised it. Every now and again, a casting director would turn up. 'Peak Practice' became a rite of passage for us. It was the first job I had.
I started acting because I was offered films, and I wanted to go to drama school and do the film because I'm the kind of girl that will do everything once.
I did drama at school, as a kid, but I ain't been to, like, acting school or anything. I was in a couple of school plays.
I started acting when I was young, and I didn't go to drama school. It was always something that I did alongside going to school and being a normal person.
I went to an arts high school and was surrounded by drama students who dreamed of working in the industry. I almost feel a sense of guilt, because I didn't go to acting school.
When I was a boy, I was 15-16, I had a job during the school holidays as an extra. That's how I started. My first time on set was as an extra. I did it for two years. It was amazing!
I worked in theater my whole life. My mom was a drama teacher at my middle school. In high school, I was Drama Club President every year, and then I auditioned for conservatory acting programs.
I went to NYU drama school, so I was a very serious actress. I used to do monologues with a Southern accent, and I was really into drama and drama school. And then, in my last year of drama school, I did a comedy show, and the show became a big hit on campus.
Richard Gere's got this very old-school Hollywood charm. He has a presence that when he's in a room you just feel him. I mean, I'm married, but he's sexy!
My fear of drama school is that the natural extraordinary but eccentric talent sometimes can't find its place in a drama school. And often that's the greatest talent. And it very much depends on the drama school and how it's run and the teachers. It's a different thing here in America as well because so many of your great actors go to class, which is sort of we don't do in England.
My tutors at drama school commended and criticised my use of comedy in my acting for a long time at drama school. They said I had a tendency to somehow perform the most tragic of scenes in a slightly flippant way.
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