A Quote by Gina Neely
I say now, if I'm not laughing a whole lot on the first date, you're pretty much not going to get a second one, I can tell you that. It's all about the laughter and a good time for me.
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Yes, when you see for the first time, a great laughter arises in you - the laughter about the whole ridiculousness of your misery, the laughter about the whole foolishness of your problems, the laughter about the whole absurdity of your suffering.
When the Lord finished the world, he pronounced it good. That is what I said about my first work, too. But Time, I tell you, Time takes the confidence out of these incautious opinions. It is more than likely that He thinks about the world, now, pretty much as I think about the Innocents Abroad. The fact is, there is a trifle too much water in both.
I'd say, 90 percent of the time, I get an idea, like, within 10 seconds of somebody telling me what their whole thing is about. And usually that flash of an idea, it's what I always go with. It might change slightly, but in general, that's pretty much it. To get me to change the entire idea is pretty tough.
These first few years, it's more trying to figure it out. What's going on in the NBA? Where do I fit in? Then my second year, I'm a player. 'Can he actually start?' I played pretty well my second year. My third year, now I gotta solidify myself. Now I'm here, and it's about winning for me.
What I love about improv so much is that we are all discovering it at roughly the same time. The performers are maybe, what, a half second ahead of the audience? There's very little lag time. I think of a thing, I say it, then the audience is laughing and it all happened in a second.
We just lost our electricity. You want to tell me what’s so funny about that?” “It’s not exactly funny. It’s more of a good news/bad news situation.” “In that case, hit me with the good news first.” “They’re both sort of rolled up into one.” “Stop stalling.” “All right. Now don’t get mad, but . . .” Smothered laughter drifted toward him. “Cal . . . I’m naked.
I have a rule now that I can only watch a movie twice. By the third time I was watching 'The Guest,' I was hating everything about it, but the first time, I loved it. The first time you watch it, you watch it as a whole. And the second time, I think you can learn a lot. By the third time, you are just picking everything apart.
Laughter on American television has taken the place of the chorus in Greek tragedy. In other countries, the business of laughing is left to the viewers. Here, their laughter is put on the screen, integrated into the show. It is the screen that is laughing and having a good time. You are simply left alone with your consternation.
People do need a social license to go, "Ha ha ha," and have a good time. It's a strange thing. There's a lot of social ritual around comedy and laughter. It's a bonding experience for groups, but nobody can tell you much about how funny somebody is. Sometimes people just need to be in a group and be laughing together, just like they need to be in a group in watching some really terrifying film.
A long time ago, Trinity and I made a list of types of guys you should never date. We add to it every now and then. It includes things like never date a guy whose computer costs more than his car (you'll never get him to pay attention to you except over instant messages), never date a guy who has a pet lizard (he's probably into weird stuff in bed) and never under any circumstances go on a second date with a guy who says the word "married" on the first date (he'll turn out to be a mama's boy or a religious type)
I know this is going to get me in trouble, but I'll say it: The whole notion that I am supposed to constantly tweet is ridiculous. There are a lot of journalists at the New York Times who tweet. I am not opposed to it. But I don't have enough time. And editors don't have much to say. My world consists of this office, this floor, my apartment and wonderful conversations with our reporters and correspondents - all of them know a lot more about the world than I do.
Every time I go on stage, it's like a first date. I put on my best clothes, shave, and get as handsome as I can. Then I say the cutest things I know to say, and I become the very best Bill Medley I can be because I want to win my date over. My audience is the date that I want to impress every time.
I usually take the first batch of some ice cream, eat it, and then about an hour later, at halftime of the Sunday night game, I go after a second serving. So I pretty much get a whole gallon of ice cream Sunday night. It's pretty bad.
One of the things I noticed about the Trump supporters was a lot of projected fear. I can't tell you how many times a conversation went like this: "We've got to stop these immigrants, because it's terrible." I'd say, "Okay, what personally have you observed about this?" And there would be basically nothing in that box. And I'd say, "Where'd you get your information?" thinking they were going to say Fox. But they would always say, "Well, I get my information from all kinds of sources." Fox is kind of center-left to a lot of people now.
I think I got spoiled and that writing a short story and getting it published, or writing a novel and getting it published, you pretty much get to do the first, second and third draft yourself without a whole lot of interference.
I don't come on to seduce the audience. I don't care if everyone laughs. I can't think about that anymore. If there's anything that a lot of experience on stage and a lot of stage time gives you is the confidence to know that it's ok if they're not laughing every second you're up there. Although that's what drives me and I still go too fast a lot of the time.
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