A Quote by Gina Rodriguez

I can live in L.A. as a struggling artist. I cannot live in New York as a struggling artist. — © Gina Rodriguez
I can live in L.A. as a struggling artist. I cannot live in New York as a struggling artist.
There's almost nothing worse to live with than a struggling artist.
I think that, just like the art scene and the music scene is exploding in LA - I mean, let's face it: if you want to be an artist you cannot live in New York anymore because it is too expensive…
New York was always more expensive than any other place in the United States, but you could live in New York - and by New York, I mean Manhattan. Brooklyn was the borough of grandparents. We didn't live well. We lived in these horrible places. But you could live in New York. And you didn't have to think about money every second.
You're supported by everything in New York if you want to be a performing artist. You come here, you can change your name. You leave home, you come here, you're severed from family obligations - the old identity drops away as soon as you come to New York because you're coming to New York, if you're an artist, to be someone else.
The life of a chess master is much more difficult than that of an artist - much more depressing. An artist knows that someday there'll be recognition and monetary reward, but for the chess master there is little public recognition and absolutely no hope of supporting himself by his endeavors. If Bobby Fischer came to me for advice, I certainly would not discourage him - as if anyone could - but I would try to make it positively clear that he will never have any money from chess, live a monk-like existence and know more rejection than any artist ever has, struggling to be known and accepted.
I hope that I'm always struggling, really. You develop when you're struggling. When you're struggling, you get stronger.
When I became sober, I was 27 and struggling as an artist.
Every single wave, when I was overwhelmed and poor and struggling in New York, there were these extraordinary people in New York who said, 'Come this way.'
I actually started playing in little cafes around New York, and I have a lot of good friends of mine who are musicians who are struggling in New York.
Young singers ask me, "Do I have to live in New York?" I say, "You can live wherever you want-as long as people think you live in New York."
When you live in New York and are an artist and are interested in people, you meet a lot of people.
An artist never works under ideal conditions. If they existed, his work wouldn't exist, for the artist doesn't live in a vacuum. Some sort of pressure must exist. The artist exists because the world is not perfect. Art would be useless if the world were perfect, as man wouldn't look for harmony but would simply live in it.
Whether it's someone struggling with mental illness, someone struggling with poverty or struggling with their own limitations in their social behaviors, for some reason, I'm drawn to characters like that.
New York was a place I wanted to live and work all along. If I wasn't going to live in Israel, I had to live in New York.
New York has closed itself off to the young and the struggling. But there are other cities. Detroit. Poughkeepsie. New York City has been taken away from you. So my advice is: Find a new city.
I lived there [ in New York City] as an artist, but never as a Chinese artist.
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