A Quote by Gina Schock
I'll tell you, girl fans were actually pushier than the guys. The guys got scared, because when the five of us were together, we were out of control. If I were in the room with the five of us, I'd leave. It's like a five-headed monster.
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If it wasn't for KISS, there would be no Guns N' Roses. Bands like that made Guns N' Roses. We were five guys with five personalities and five different influences. The stars were aligned for us.
There was violence because first of all, there were ethnic differences and names. If you were small, they called you a runt, and you had to do something about that even if there were five other guys.
I mean, in A ball, there were five of us in a two-bedroom apartment. In Double-A, I think there were like eight of us in a four-bedroom house. There's a lot of that going on so that guys can... and the whole time, you're sleeping on air mattresses and you're using Rubbermaid bins as furniture.
Notts County were League Two and they had they great plans. Things were happening and I was like 'wow these guys are serious.' It was a mad season because we were flying private jets to game. It was all a farce and I had signed a five-year contract.
I ended up renting a studio in L.A. for about 15 months. Starting in January of 2016, some of the guys in the band were coming out once every five to six weeks for like five days a time.
Coming up the ranks, I've got to see those who were sons of professional wrestlers get in the ring when they were five years old. I would wrestle around with them. Guys like The Rock and Randy Orton.
When we were in Egypt, we were refugees. My family and I were homeless. For five years, out of all of the countries in the world that my father was contacting, the only one that took us in was England.
I think it's incredible because there were guys like Mays and Mantle and Henry Aaron who were great players for ten years... I only had four or five good years.
If I were to tell you that my day was all pure wrestling, I wouldn't be honest with you. Because there were crooked promoters. There were a lot of guys that knew that they couldn't even compete with other guys. But to suggest that every match was like that wouldn't be true.
I grew up on a set. The guys I hung around with were crew guys: the camera department, the prop guys. I was like the third kid through the door when I was a kid actor on Leave It To Beaver. I was always one of five guys who would have a couple lines. I was a journeymen actor in my first career, so I was appreciative of the journeymen on the set.
I think it's incredible because there were guys like (Willie) Mays and (Mickey) Mantle and Henry Aaron who were great players for ten years... I only had four or five good years.
The wounds were burning like suns at five in the afternoon, and the crowd broke the windows At five in the afternoon. Ah, that fatal five in the afternoon! It was five by all the clocks! It was five in the shade of the afternoon!
When the citizens of Baltimore banded together to repel the British during the War of 1812, three in five were immigrants, and one in five was black - some were free, some slaves.
One of my uncles was actually a sapper who cleared land mines for Anzacs, Australian soldiers, and we had to flee Vietnam. There were 40 of us on a 9-meter fishing boat. We were at sea for five days, a very perilous journey. We were attacked by pirates twice.
We were little children, four or five years old, but they were all around the house and they made us look epic, like we were part of some story being told. My mom would have this woman come to our house and take photos of us. She did a photo book of us as well when I was one. I still have it.
I remember in 1990, there were five of us making $3 million a year. When guys passed us, we didn't cry. Why would we cry? You didn't get mad when someone got $6 million. Or $8 million.
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