A Quote by Gina Schock
You know, I've always wanted this, to be playing music and making money and all. But, it is really weird.
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Of what use is the universe? What is the practical application of a million galaxies? Yet just because it has no use, it has a use - which may sound like a paradox, but is not. What, for instance, is the use of playing music? If you play to make money, to outdo some other artist, to be a person of culture, or to improve your mind, you are not really playing - for your mind is not on the music. You don't swing. When you come to think of it, playing or listening to music is a pure luxury, an addiction, a waste of valuable time and money for nothing more than making elaborate patterns of sound.
I always liked playing music and I always wanted to be good at playing guitar. I always saw myself as an old man living in the mountains playing a guitar, but I didn't really turn that into a desire to be a professional musician or a singer or a rock star or anything like that.
When I was really little I would sit in the back of my dad's car when he'd be playing old-school music. He'd turn down the music and turn around and I'd be singing and know all of the words but I didn't even know how to talk. From then on I've always wanted to be a singer.
If people are talking about you, that's great. You start making more money, that's great. You get to go to weird places, that's great. The music industry is weird, especially with the Internet. People are calling you all kinds of weird stuff, like 'jangly.'
With all the movies and stuff that we do, it always does feel like this is our home base when Nat and I are playing music. Because we do acting, and that's so fun, and we do it, and we're really passionate for it, but when I'm playing music with Nat - I don't know how to really explain it - it just feels right.
The more I go on in this career of making albums, writing songs and playing music, the more I think of each album as a movie. I really wanted to make a film, but making a film is much more expensive than making a record.
Like, that was weird in 'Hamlet 2,' because I played myself there, fully myself, but then I realized, 'Oh, I'm not playing myself. I'm some weird version of myself.' So as an actress, you're always playing something, I don't even know who I am, how could I become me? I don't know what that is.
I started playing music when I was 18. My heart was just broken so badly that I decided that I really wanted to start playing music. It felt like the only thing that I could do in response to that. And I've been playing ever since.
If you only have the mind of, "We have to sell this music and I have to make money on this music," then it's not really about the music anymore; it's about the money. I'm not saying I don't want to make money, but I'm thinking a little more long-term than just making a buck today.
I knew that my hair was falling out and I had really weird skin. My face looked really weird and I was getting this fuzz on my face and I was always cold - always to the point of uncontrollably shaking. I was more scared that 85 lbs. wasn't good enough. I wanted to be lower.
Making money is awesome and fun as hell, but they're saying, "Well, you're offered a whole lot of money to do this," and it's like, well, I do want the money, but I don't really do that - like headline a big festival or something like that. I could go there and do that, but it isn't really what I do. It feels weird to me.
We started playing music from an early age and so we wasn't really aware of that side of it, the weird thing is the more successful you get the more free booze and drugs you get, they should be given to the bands who don't have the money.
Everything I do, I'm always playing music. When I wake up in the morning, I'm playing music. When I'm showering, I've got music playing. When I go to the field, music is playing.
It's weird. People want you to know that they write. They want you to know they're a musician, rather than making music or making stories. It's the strangest thing.
My mum always wanted to send me to a music school, but we didn't really have the money. So even now, I'm not a technically good singer. If you asked me to sing a particular harmony, I wouldn't know how.
I used to imagine that making it in music - really making it in music - is if you're an old man going by a schoolyard and you hear children singing your songs, playing jump-rope, or on the swings. That's the ultimate. You're in the culture.
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