A Quote by Gina Torres

I think the public doesn't understand the rigors of shooting a show for an actor, much less when you're on location and away from home. — © Gina Torres
I think the public doesn't understand the rigors of shooting a show for an actor, much less when you're on location and away from home.
Working on location is ideal because you enter the character and the story. Shooting at a studio near home, there's a certain split. But on location, you forget the real world, and when you come back to reality, just going to the market can be traumatic.
It's always difficult to work out on location, away from home, but that's the actor's life. You go where the work is.
I've got a pretty wide range of stuff that I'm interested in in life. But producing... it gives me a lot more time at home to spend with my family as opposed to being away on location shooting nights for months at a time.
I think the theater is basically the boot camp for the actor. If you can survive the rigors of an eight-show-a-week schedule and be at your best all the time, you can handle virtually everything because no other craft requires you to get it right every single time.
And fourthly there is a major shift in public opinion and attitude to accommodate to the post-9/11 mentality and the Bush administration's penchant for secrecy. I think the public has simply become increasingly accustomed to being turned away from vital information and is protesting less and less. You have some squeaky wheels out there, but I don't think they're representative of the population at large.
There are sad moments - lonely moments - when you're sitting up in your room all by yourself, shooting on location in Atlanta or Vancouver or L.A., and your family's back home. You can miss home.
Mostly we're motivated to control ourselves in public. Mostly. At home the motivation is much less clear. At home there's a bit of a lab for bad behavior. You can test things out without terrible consequences. Or maybe the consequences are there, but they are deferred, buried, much harder to detect.
Shooting against greenscreen... my choice of filming is, like, I'd rather shoot on location than shoot on a set, and I'd rather shoot on a set than shoot against greenscreen. You start stripping away the layers of reality, and it becomes a lot less fun to actually film.
I was at a Madonna show many, many years ago and I was in the sweet spot and she came out and I mean it was the best part of the show. And I was shooting, shooting, shooting, shooting. And I'm like, "God, I must have shot a hundred pictures have I not run out of film?" And I opened the back of my camera and there was no film in there. So that happened to me only once.
As an actor, some of my favorite things to work on are night exterior scenes. Any time that we're on location and shooting at night, it's just magic. I got to do that so many times working on 'Vampire Diaries' that it filled my hat.
A studio allows me more freedom. You can create your own sort of reality which is actually more exciting than shooting on location. You can conjure up a complete atmosphere of escapism for the public.
Sometimes being away, on location, I feel like I'm away for much of my own life. I want to be better at staying connected.
L.A. is very special to me, so far away from my world on the East Coast, Europe, Asia. It's a bit of an island for me - less intense, less busy; because of time difference and location, it has a calming effect. At least it used to be all that.
In fact, Salman Khan is a kind of an actor who doesn't take anyone's limelight while shooting. He is a very secure actor. He has some kind of aura around him. He is least bothered as to which actor is getting how much screen space.
I don't think I had any idea how much I would love becoming a mother. Although I'm away a lot, my children, Emily and William, are secure. Sam, their father, stays at home with them and I'm at home as much as I can be.
With real estate, it's location, location, location. In public speaking, it's acoustics, acoustics, acoustics.
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