A Quote by Gina Torres

My first time on camera was 'One Life to Live.' I mourn for actors coming up that the daytime soap opera is becoming extinct. It's theater onscreen. — © Gina Torres
My first time on camera was 'One Life to Live.' I mourn for actors coming up that the daytime soap opera is becoming extinct. It's theater onscreen.
I started working in front of the camera for the first time when I was 15 years old. I joined a soap opera. We filmed in Brooklyn and I would skip class to shoot my scenes. It was terrifying and I entirely self-conscious in front of the camera.
I started working in front of the camera for the first time when I was 15 years old. I joined a soap opera. We filmed in Brooklyn, and I would skip class to shoot my scenes.
When you work on a soap opera, that's three years of you working every day. There was no time to do anything other than the soap opera - you're locked in.
Soap opera wouldn't be my first choice, but at this point in my life, I would consider a soap. It would allow me to act and still do other things with my life.
I have also just finished three weeks on a soap opera in England. The soap opera is a rather famous one called Crossroads. It was first on television 25 years ago, and it has recently been brought back. I play the part of a businessman called David Wheeler.
I was a regular on 'Holby City,' and I did daytime; that's how I started off. Off in Hong Kong doing stuntman stuff, then coming back to England doing daytime soap operas.
Every job you have, there are days that are more difficult than others. I worked on a daytime soap opera, where the volume at which you're producing this medium is incredible.
Misery loves company. This is a Hollywood soap opera, and I'm not going to be a star in another Bryant soap opera.
On a soap opera, you'll do an episode and a half a day, and in prime time television, you're hustling to get an episode done in eight days. That's a little bit frustrating sometimes. But there's also something exhilarating about it. It's kind of like live theater in a way, where you get one crack at it.
I was the first movie star to plunge into night-time soap opera.
My grandmother was this unbelievably smart, phenomenally cool woman and [soap operas] were just always on in her house. I just realized that I live in a soap opera, and it's awesome.
Soap opera seems to be a dirty word, but actually they are the most popular shows we have. People want to know what happens next, people hate the villains and love the lovers. It's good, fun TV. But I wouldn't call 'Downton' a soap opera as such.
I was playing this role on 'Ugly Betty,' the sweetest, nicest guy. He was a fun character to play, but I was in a Latin soap opera - where are you gonna go with a nice guy in a Latin soap opera?
'Scandal' has been, for me, the most consistent time I've ever logged in front of a camera. I grew up in the theater, and I feel very confident and comfortable on the stage and in front of a live audience, but the camera is a very different medium.
My first time acting for camera really was for Steven Spielberg in War Horse. I was trained in theater and I was actually working in theater at the time. I had a small role with the Royal Shakespeare Company, which is a huge prestigious theater company back in England. I honestly thought that was as good as it got.
The difference between working with actors that have put their time in the theater and just straight film and television actors is that you trust theater actors a lot more. You know that they're seriously more trained than anyone else because theater is the best place to grow as an actor.
This site uses cookies to ensure you get the best experience. More info...
Got it!