A Quote by Ginger Baker
It happens to us quite often-it feels as though I'm not playing my instrument, something else is playing it and that same thing is playing all three of our instruments. That's what I mean when I say it's frightening sometimes. Maybe we'll all play the same phrase out of nowhere. It happens very often with us.
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I remember I'd be playing in the streets with friends, sometimes barefooted. I'd come home with sore feet, but wanting to do the same the day after. That passion made us keep playing. Playing in the dirt was our daily joy.
We have two different ways of working. One is completely unstructured where somebody just starts playing and somebody joins in and then the other person joins in, and something starts to happen. That's occasionally what happens. What more often happens is that we settle on some sort of - a few sort of structural ideas, like, "Okay, when I put my finger up, we're all going to move to the extremes of our instruments. So, that means you can only play either very high or very low or both. And we're going to stay there until I take my finger down.
I'm always happiest trying new instruments - and honestly enjoy playing, say, the glockenspiel with Radiohead as much as I do the guitar. I think regular touring has forced me to play the guitar more than anything else, which is why I'm probably most confident playing that. And whist I'd be lost if I couldn't play it too, I dislike the totemic worship of the thing... magazines, collectors, and so on. I enjoy struggling with instruments I can't really play.
Every team I play, I'm playing them like we playing the Golden State when they had Kevin Durant. Every point guard I play, I'm playing Steph Curry. Every shooting guard I'm playing, I'm playing James Harden. Every three-man I'm playing, I'm playing LeBron and KD.
It's a tricky one when you're playing somebody who is mad. There's often the big actor's question, if you're playing a part like that: do you take it to be an internalized thing, pull the audience in, or do you go full-out, and kind of present it as quite a shocking thing?
It is so difficult when you are out for a year, not just because you are not playing, but because other players are still playing. They are in competition all the time, so when you come in again and try to play them at the same level, with the same intensity, it is very hard.
If you're not judging what happens, then you're trusting what others are doing, what you're playing, and trusting what you're playing.And it can lead you to other ideas, to something maybe you hadn't expressed before.
Playing and fun are not the same thing, though when we grow up we may forget that and find ourselves mixing up playing with happiness. There can be a kind of amnesia about the seriousness of playing, especially when we played by ourselves.
We often compare the experience of writing a book to that of playing God. It is up to us, and only us, to determine what happens to the people we invent. It is for us alone to determine what is good and bad, just and unjust, appropriate and inappropriate for the worlds we create. I love that about writing books.
I'll tell you a little fun fact about the film, though. Me, the little boy playing Chip, Emma Thompson, and Emma Watson, all have the same birthday. We were all in on the same day and they all sang us "Happy Birthday." That will never happen in my life again: Four of us having the same birthday on the same film, and we're all in on the same day. It was an extraordinary thing.
Most of us have very clear memories of the self-critical internal conversation running on in our heads while we were playing poorly, and yet it often seems that we hardly remember noticing it at all while we were playing well.
How can non-existence get sick of itself? Everytime you wake up, you appear again out of nowhere. And so does everything else. Death just means the replacement of the usual morning waking with something else, something quite impossible even to think about. We don't even have the instrument to do it, because our mind & our world are the same thing.
When you are playing with someone who really has something to say, even though they may be otherwise quite different in style, there’s one thing that remains constant. And that is the tension of the experience, that electricity, that kind of feeling that is a lift sort of feeling. No matter where it happens, you know when that feeling comes upon you, and it makes you feel happy.
We kind of look at music as something very natural in people's lives. I mean, most of us can relate to music in some sort of shape and form, and if you think about it, most of us remember the first time we kissed someone, what kind of music was playing or the song that was playing on our friend's birthday.
As far as playing instruments, it just feels good to have it under your hands. Cause sometimes those instruments have minor imperfections. Sometimes because they're so old, they're always out of tune a little bit.
I love playing football. I started playing for a school team, which is fun, and I play a lot of five a side. I nowhere near good enough to go professional but it's definitely one of my main hobbies. I play three times a week.
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