A Quote by Ginger Rogers
I don't know which I like best. I love the applause on the stage. But pictures are so fascinating - you reach many millions through them. And you make more money too.
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Effortlessness is a great phenomenon. Once you know it, many millions of things become possible to you. Through effort the market; through effortlessness the God. Through effort you can never reach to nirvana - you can reach lo New Delhi, but not to nirvana.
I don't want anyone writing in to point out that I spend too much money on books, many of which I will never read. I know that already. I certainly intend to read all of them, more or less. My intentions are good. Anyway, it's my money. And I'll bet you do it too.
I had no idea what being on stage would be like or how I'd react to the applause. I didn't think I deserved their applause. Then I realized I'd done something to make them feel something. That made it okay. But it was weird. A nice weird.
This Power Elite directly employs several millions of the country´s working force in its factories, offices and stores, controls many millions more by lending them the money to buy its products, and, through its ownership of the media of mass communication, influences the thoughts, the feelings and the actions of virtually everybody. To parody the words of W. Churchill, never have so many been manipulated so much by few.
If you ask anybody at Microsoft, could they spend more money, all of them would say yes. They should say that! They should say, 'Yes, I have so many terrific innovative, interesting, awesomely impactful ideas that you have to get me more money.' I love that. I love that energy, and I listen to some really fascinating arguments.
The age of the earth was thus increased from a mere score of millions [of years] to a thousand millions and more, and the geologist who had before been bankrupt in time now found himself suddenly transformed into a capitalist with more millions in the bank than he knew how to dispose of ... More cautious people, like myself, too cautious, perhaps, are anxious first of all to make sure that the new [radioactive] clock is not as much too fast as Lord Kelvin's was too slow.
I know I can act. There aren't too many other jobs I know how to do. Financially, I've lost money and made money, but I know my way around financially. I've been too many places. I'm like the bad penny.
You can tell by the applause: There's perfunctory applause, there's light applause, and then there's real applause. When it's right, applause sounds like vanilla ice cream with chocolate sauce.
Hollywood is a business and movie studios are only going to do what's going to make money. It's not an altruistic thing. They are blatant grabs for money. Responsible studios want to make quality pictures, but at the same time nobody is going to make quality pictures they know aren't going to make any money.
Have you watched it? A man who is too greedy about money, by and by starts having the qualities of money. He becomes just money. He loses spirituality, he is no more a spirit. He is reduced to a thing. If you love money, you will become like money. If you love your house, by and by you will become material. Whatsoever you love, you become. Love is alchemical. Never love the wrong thing, because it will transform you. Nothing is so transforming as love. Love something which can raise you higher, to higher altitudes. Love something beyond you.
You can make a global film, which affects so many countries and affects sort of this worldwide epidemic, but it has, zombies are great metaphors for the times we live in today and that's what I always find fascinating about them, but then it's like the walking dead, you know, the unconscious, and the metaphors for them are just really something I was inspired by.
Well, I think if more people had more applause, it would make them feel better. I often give my wife a round of applause. If the meal is very good I give her a standing ovation.
I was very much in my room with my marionette stage, you know, creating these incredibly boring things that I felt were so fascinating, and forcing my relatives to come, and charging money for them to see my little productions.
To walk in money through the night crowd, protected by money, lulled by money, dulled by money, the crowd itself a money, the breath money, no least single object anywhere that is not money. Money, money everywhere and still not enough! And then no money, or a little money, or less money, or more money but money always money. and if you have money, or you don't have money, it is the money that counts, and money makes money, but what makes money make money?
From the stage, I can reach a large audience, and you learn from being on stage how much a song reaches, what extent of the crowd a song can reach. I write in a way that can reach most of the audience, but I also wanted to have truly intimate moments as well, many intimate moments, more so than the big moments.
I also do not like the idea of soft money, these issue ads - people don't know where the money is coming from, millions and millions of dollars outside of the control of a candidate - there's no accountability.
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