A Quote by Ginnifer Goodwin

The horizon is an imaginary line that recedes as you approach it. — © Ginnifer Goodwin
The horizon is an imaginary line that recedes as you approach it.
Sooner or later. It had better be sooner. Later is like the horizon; it recedes as you approach.
Boundary, n. In political geography, an imaginary line between two nations, separating the imaginary rights of one from the imaginary rights of another.
The world consists of imaginary people, claiming imaginary virtues and suffering from imaginary happiness.
The image people have of comedians staring defiantly over a stationary line of good taste is simply inaccurate. We don't approach this line, put our toes over it arrogantly and then scamper back to safety. The line doesn't exist.
For any artistic person who creates imaginary people, the art is like inhabiting the life and mind of a seven-year-old child with imaginary friends and imaginary events and imaginary grace and imaginary tragedy. Within that alternate universe, the characters do have quite a bit of free will. I know it's happening in my mind and my mind alone, but they seem to have their own ability to shape their destinies. So I'm not shooting for anything. If the characters are vulnerable it's simply because they're very human.
Leaders keep their eyes on the horizon, not just on the bottom line.
General, if you put every Union soldier now on the other side of the Potomac on that field to approach me over the same line, I will kill them all before they reach my line.
I think that when we start thought-policing people and idea-policing people, then that's crossing a line. And I think, you know, everybody's so afraid of this imaginary line of thought police that they forget their own personal safety.
Realism is a bad word. In a sense everything is realistic. I see no line between the imaginary and the real.
History is marked by alternating movements across the imaginary line that separates East from West in Eurasia.
An event horizon, or the point of no return, is only a byproduct of the bending of space. However, electricity and magnetism, by themselves, have no event horizon. It gets complicated, however, if a black hole has charge, and then this new solution does have an event horizon.
It is only through fiction and the dimension of the imaginary that we can learn something real about individual experience. Any other approach is bound to be general and abstract.
Walt understood all of those things, and even common things about people. For instance: Usually you get your idea of what kind of day it is by looking at the horizon, because the horizon is your eye level. So what Walt did is to eliminate the horizon.
The colors are stunning. In a single view, I see - looking out at the edge of the earth: red at the horizon line, blending to orange and yellow, followed by a thin white line, then light blue, gradually turning to dark blue and various gradually darker shades of gray, then black and a million stars above. It's breathtaking.
I take the outline from a real person as inspiration, but the in-line is totally made up. Which is why I usually invent imaginary names.
The 'Inside-Out' approach to personal and interpersonal effectiveness means to start first with self; even more fundamentally, to start with the most inside part of self, with your paradigms, your character, and your motives. The inside-out approach says that private victories precede public victories, that making and keeping promises to ourselves recedes making and keeping promises to others. It says it is futile to put personality ahead of character, to try to improve relationships with others before improving ourselves.
This site uses cookies to ensure you get the best experience. More info...
Got it!