A Quote by Ginuwine

I was trying to find my way into the music business still, but I didn't want to portray something that I wasn't. I really wanted to be just me. — © Ginuwine
I was trying to find my way into the music business still, but I didn't want to portray something that I wasn't. I really wanted to be just me.
I take music really seriously. I haven't been doing this for too long, but I've been loving music for a long time. It wasn't really about other artists. I just wanted to do something more for me. I wanted to make a better life for my mom. I didn't have any way to take care of her, and I wanted to make a better way. Music was an outlet, so I went with it, and there you go.
I love music - really a lot. That's why I do it. But mine just never makes it, to me. There's always something wrong with it, something I want to change. But I like that, because at least it keeps me looking, trying to find ways I can improve, which obviously are a lot.
The magic that you find in surf music, I think, is really timeless. You know, when I was very young, I was in a surf band. Surf music is an instrumental music that still means a lot to me, not in an nostalgic way, but as something that really gets to the heart of the guitar itself.
It's not that difficult to find the rage or the anger. We all have that in us, and luckily, actors and actresses get to portray it, and it's not frowned upon. Everybody has that in them. Everybody has wanted to kill somebody at one time or another. Everybody has been really, really angry about something, so if you just call on that in yourself, you find it's not that difficult.
For me, writing music is a way of processing the world. It's not a concrete thing, as in, "This piece is about giraffes." It's much more of an emotional sort of thing. I want people to find something out about themselves through my music, something that was inaccessible before, something that they were suppressing, something that they couldn't really confront.
I ain't never been in no college with famous people. I was a drifter for a while. I just was desperate to fit in with a group. Really, I was swimming. I was lost, treading water, trying to find my way. I wanted to play football. It didn't work out. I didn't really know what I wanted until I found acting in a theater department, and then everything just fell into place, and I had a passion about something. Then, I started living my life.
People call what we do "stretch music." This is our style, and one of the newer, in vogue ways of playing creative, improvised music. It really grew out of me trying to address something that I saw in my everyday life in my neighborhood - trying to develop that and refine that and excavate exactly what that was in a way that, when I communicated it, it was palpable and easily read. That started really early. Why it started was from something that I was really angry about.
I think just the music industry sometimes is a very tough business. But still, if it's just something you just love dearly, you really can't just put it down.
I never wanted to do music to get girls, right, to get popular, or anything like that. I really love music and I want to make it better the best I can. I can tell when something's real, or when something's put together. I can just feel it. So I'm my own worst critic and harshest critic and I just want to put honest music out there.
I don't really love to perform in music. Some people like it more, but it's not my thing so much, but just the writing, when you get the lyric, and the lyric just goes just the right way, or you find the right bridge that takes you to the solo, and those moments are tremendous, and it's difficult to portray.
The beautiful gift of my husband is that he saw me the way I've always wanted to be seen and there's something really powerful to that. When you find true love I really believe that that's what it is at its core. He makes me want to be a better person, but then he also sees me and reminds me that I am a good person.
I'm an actor who loves to direct film, if I find something that I'm compelled to do and want to spend three or four years doing. I really love the process, though. I might have to just say, "Yeah, I want to direct that," because I want to direct something, but that's just not the way my being is. It's got to be a necessity for me, otherwise I'll just keep acting.
I've always been quite careful about what I wanted to do. I've just never wanted to revisit old ground or do something that's easy. I want to do something that I would look at and go, "I don't know what to do!" The most exciting thing is when you're a bit scared, so I'm looking to find something that's really terrifying.
I'm always trying to want to connect with fans and to connect them to each other. I mean, there's other things that I'm trying to do, but in terms of connectivity, that is really important to me. And I am a smaller artist still and there are people that are super passionate about my music, but not everyone in their circle knows about me. But yeah, I've always trying to find ways to connect fans to each other.
I don't really think of these as projects. I think of them as bands. I have tried to not just convene a group of musicians and make one record or make one gig and just drop it. Each of them develop over time. I have been really fortunate to keep a band like the Sextet together over three very different albums. Each time, the goal got more deep for me in terms of how I wanted to write for those people. So it is really about trying to develop ideas and trying to have a consistent focus on a way to come up with new ideas in music that I want to do.
I could not find any way that we could really run the kind of campaign I wanted to run if we were targeting delegates and still trying to talk to people, which is what keeps me going as a human being.
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