A Quote by Ginuwine

It's just a good thing to be a part of history and a lot of people will not be able to say that. — © Ginuwine
It's just a good thing to be a part of history and a lot of people will not be able to say that.
There's a lot we should be able to learn from history. And yet history proves that we never do. In fact, the main lesson of history is that we never learn the lessons of history. This makes us look so stupid that few people care to read it. They'd rather not be reminded. Any good history book is mainly just a long list of mistakes, complete with names and dates. It's very embarrassing.
The Chinese government wants me to say that for many centuries Tibet has been part of China. Even if I make that statement, many people would just laugh. And my statement will not change past history. History is history.
In terms of performance, something unexpected is always good, it's preferable if it's unexpectedly good. But unexpectedly bad has a lot to say for it as well. It's always nice to be able to look back on a show and say, "Oh, that's the night that this happened," and a lot of the worst memories are better than the shows with no memories. A good rehearsal is a lot harder to describe. A lot of rehearsals that end up feeling best are the ones where something really bad was happening, and you just kind of got past it and fought through it. Just dealing with things that are inevitable.
With luck we will be able to repulse the invaders before they land. At any rate, I can say that we will be able to destroy the major part of an invading force. That is, we will be able to inflict extremely heavy damage on the enemy.
It's just nice to be able to communicate and be able to identify with a lot of different cultures. I have no idea what it would be like to be just one thing and speak one language. I feel enormously privileged to travel and be able to mingle and speak to people that, had I only known English, I wouldn't have been able to meet.
I've always been interested in history, but they never taught Negro history in the public schools...I don't see how a history of the United States can be written honestly without including the Negro. I didn't [paint] just as a historical thing, but because I believe these things tie up with the Negro today. We don't have a physical slavery, but an economic slavery. If these people, who were so much worse off than the people today, could conquer their slavery, we can certainly do the same thing....I am not a politician. I'm an artist, just trying to do my part to bring this thing about.
I don't fear Holmes, but I think he's a good fighter. He has a lot of pride. But I wouldn't be fighting him if I feared him. It's going to be a tough fight. People say with all the hoopla out there, I won't be able to handle it. I believe the pressure's on him. I'm just going to do my thing.
A lot of people will say to me, they'll say, "When is Trump going to be gone?" People who are thinking that way and are waiting, for those folks I worry that every day when they wake up and Trump is still president, every day is November 9. That's not a good headspace to be in. It just happens to be the case that the best thing you can do to feel better is to be actively engaged in pushing back, and that also happens to be the best thing that you can do for the country right now.
I think the thing about film is, as it gets proved by a lot of young filmmakers now, that the medium will just go on reinventing itself, and so you just hope to be a part of that and not a part of some kind of endless regurgitation or 'Here I am doing what you know I do' kind of thing.
When I'm performing, the crowd just disappears, it's like everyone merges - one big person. You just say the words and people will say the words back to you. And it's just so rehearsed. I have a lot of songs I couldn't forget the words if I tried. So you get in there, you lose yourself and it's all good.
In fact, I point out that all the conspiracies in history - especially during the last 5000 years - are actually different aspects of the same conspiracy. Some people fixed on one aspect of the conspiracy, and say this is the problem, others say another thing, but the thing is all the conspirators work together. All the conspirators are part of the same operation. And this is what people find very reluctant.
When people say to me, 'Why are you so good at writing at women?' I say, 'Why isn't everybody?' Obviously there are differences between men and women - that's what makes it all fun. But we're all people. There's a lot of good writers who are very humanist, but still manage to kind of skip fifty-five per cent of the race. And I just don't get that. Not to be able to write an entire gender? To me, the question isn't how do you do it? It's how can you possibly avoid doing it?
The main thing is, you just want to have your place in history. You hope that people will look back on it in 15, 20, 30 and beyond years, and say, "That was an exciting film."
I've always considered myself a failure: I feel I've never done anything wholly right. [...] Everybody will tell you, "Oh no, how can you say that, because ten thousand people clap you on a night?" But part of that is reflex action and part of it is because you're reasonably good. But if you're great, that's a different thing.
There are a lot of people who get me. There are a lot of people who don't. I wouldn't say there is one thing that everyone is missing. But there are a good amount[b] of people who don't necessarily understand the recent changes I have made.
Comedy is a weird thing. You have to understand, it's the weirdest thing you can do. There's no consensus. It's not like... People say, "I saw Saving Private Ryan, and that scene on the beach is just so moving." I can't imagine anyone who would say "I don't find that moving!" But you can show, whether it's Laurel & Hardy or the Three Stooges or Jiminy Glick In Lalawood, some people are going to look at it and say "That's the funniest thing I've ever seen." Some people will say "I don't get it." Who's right, who's wrong?
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