A Quote by Giorgio Armani
There is a danger in becoming an icon, as people can see you as remote and untouchable, and they are less willing to tolerate you doing things that don't fit with their preconceived idea of you. Iconic status can be like a pair of handcuffs, especially if, like me, you wish to continually stretch yourself creatively, as Warhol did.
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These days, as I am older and wiser, I realize that there is a danger in becoming an icon, as people can see you as remote and untouchable, and they are less willing to tolerate you doing things that don't fit with their preconceived idea of you.
I get really frustrated when people say that a collection is not very 'Armani.' Iconic status can be like a pair of handcuffs, especially if, like me, you wish to continually stretch yourself creatively, as Warhol did.
So, did I work with Warhol? I worked with him less on that play then I did on other things. He actually did a portrait of my rabbit and some other stuff. Warhol was definitely... Warhol.
You see so many people doing quite nice and respectful work, but nobody like Warhol. Warhol is outstanding. I think he has a value that is far from fully understood. He's very special for younger generations.
Learning how to shine a pair of shoes to me was like if you could do, you were like you were on your way to having abilities and skills as to be able to spit-shine a pair of shoes like they're patent leather. You're a bad dude. To spit-shine a pair of shoes. So, even to that small detail, that aided me and assisted me in becoming the artist that I am. My uncles' sense of style, their type of ties they used. The way they wore their suits, big and huge and baggy. The way they did their haircuts with the side burns. All of that.
I'm continually wrestling with the idea that there are certain things in this world that simply don't fit. The idea that I have this longing for beauty and truth, and yet I'm also attracted to things that are very dark the lies that exist within me and outside of me.
We all have an idea of what we look like, and then you see a giant picture of yourself and you're like, "Oh my god, wait, that's me?" And it's such a specific version of me, with styling, and art direction... It's like when you hear yourself on a recording, and you go, "That's what I sound like?!" That's how I feel when I see images of me.
I guess I don't like the fact that my life is becoming less and less my own - the prevailing attitude that you have an obligation to deliver yourself to the public. Actually, you're delivered to the public whether you like it or not. I guess if you don't like it, you should stop doing what provokes it. In my case, that's acting.
There's nobody in the world like me. I think every decade has an iconic blonde, like Marilyn Monroe or Princess Diana and, right now, I'm that icon.
An icon means nothing to me. I don't understand what it means to anybody actually. It seems like a word of convenience. It seems to attend to the huge success of certain kinds of movies that I did, but there's no personal utility in being an icon. I don't know what an icon does, except stand in a corner quietly accepting everyone's attention. I like to work, so there's no utility in being an icon.
The biggest idea of a good time for me is making the Batman videos that we did. That is my ideal day. That is exactly what I want to be doing... I like doing cartoons. I like writing things.
A child sees everything, looks straight at it, examines it, without any preconceived idea; most people, after they are about eleven or twelve, quite lose this power, they see everything through a few preconceived ideas which hang like a veil between them and the outer world.
One of the reasons that DC, Marvel, and other comic book companies have always asked me to do covers and variant covers is because they know that when they tell me 'icon,' I jump over their words, and I give them an iconic cover - but while I'm doing it, there is going to be an idea there.
I felt that if I'm serious about acting, I would like people to see me as an actress. It's less of a stretch if I'm singing, unless I'm playing a character who sings.
There is always one thing that turns you into an icon, an iconic image: in my case, a catsuit. But the icon 40 years later doesn't really want to know because it's not relevant to me.
I began to have an idea of my life, not as slow shaping of achievement to fit my preconceived purposes, but as the gradual discovery and growth of a purpose which I did not know.
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