A Quote by Giorgio Armani
Madonna, as we know, is very difficult.
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Madonna and I are very different. Just saying. We're very different. I wouldn't make that comparison at all, and I don't mean to disrespect Madonna: she's a nice lady, and she's had a fantastic, huge career - biggest pop star of all time.
Madonna was very cool. I thought she was really nice, really present, and she worked really, really hard... She didn't necessarily know our real names in real-life, because why should she? Who cares? Some of the cast were really offended, like, 'She doesn't even know my name!' I'm like, 'Who cares? Madonna's doing our show. It doesn't matter.'
It's very, very, very, very difficult, you know any parent with children with any kind of special needs is very difficult.
I grew up a Madonna fan, still am a Madonna fan, and will die a Madonna fan.
When I was kid, I remember playing 'Vogue' by Madonna over and over and over again. And ah, you know, something about the beat was really cool, and Madonna, visually, was on TV all the time and I thought she was just so beautiful.
I love Madonna! If you want to see the Madonna I know, just go on YouTube and you'll see those early interviews before the record came out. She was giddy and wonderful and giggly and happy and so excited looking towards the future.
Madonna has a far profounder vision of sex than do the feminists. She sees both the animality and the artifice. Changing her costume style and hair color virtually every month, Madonna embodies the eternal values of beauty and pleasure. Feminism says, 'No more masks.' Madonna says we are nothing but masks. Through her enormous impact on young women around the world, Madonna is the future of feminism.
It's very difficult for the family members of ICE agents, and it's very difficult for ICE agents to know what's right and what's wrong and why should I get engaged and go out there and enforce the law when I don't know what it means any more to have consequences.
Despite popular opinion, there are no important parallels between Madonna and Monroe, who was a virtuoso comedienne but who was in secure, depressive, passive-aggressive, and infuriatingly obstructionist in her career habits. Madonna is manic, perfectionist, workaholic. Monroe abused alcohol and drugs, while Madonna shuns them. Monroe had a tentative, melting, dreamy solipsism; Madonna has Judy Holliday's wisecracking smart mouth and Joan Crawford's steel will and bossy, circus master managerial competence.
I always like Madonna; any Madonna song is good for me.
Madonna reinforces everything absurd and offensive. Desperate womanhood. Madonna is closer to organized prostitution than anything else.
I consider Madonna a friend, and she sure knows how to work the publicity machine. Of course, I don't have breasts. If I did have, I'd be in the number one spot over Madonna.
I was named after my mother. And I guess when I started making records, Madonna Ciccone seemed too long and complicated, and I just got stuck with Madonna.
I always like Madonna; any Madonna song is good for me. Old school Janet Jackson is always good. I usually go old school. It's very rare that I pick a song from nowadays.
I find it very difficult to relate to India's new middle class. This very patriotic and neoliberal group that mixes religion and economics together. I find them very irksome. Very difficult to like. They are privileged, but they don't want to talk about their privilege. It's difficult to find poetry amongst these people. Some sort of hidden spirit of beauty.
My family, although they're very large on both my parents' sides, they don't know much about their family tree. Occasionally, they try to dig, but they can't get very far, and it's baffling. In Dublin, it seems that so many public records were wiped out; it's proven to be very difficult, so I know very little.
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