A Quote by Giorgio Morandi
You cannot demonstrate your own greatness by remaining at one extreme, but by reaching out to both extremes at the same time, and filling the intermediate space.
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I do not admire a virtue like valour when it is pushed to excess, if I do not see at the same time the excess of the opposite virtue, as one does in Epaminondas, who displayed extreme valour and extreme benevolence. For otherwise it is not an ascent, but a fall. We do not display our greatness by placing ourselves at one extremity, but rather by being at both at the same time, and filling up the whole of the space between them.
Greatness and fiasco is the same. You're reaching for something just out of your grasp, and if you get it, it's great, and if you don't, it's a disaster.
As I stepped out to face myself in the mirror, reaching a hand to smooth away the steam, I saw myself differently. It was as if I had grown again as I slept, but this time just to fit my own size. As if my soul had expanded, filling out the gaps of the height that had burdened me all these months. Like a balloon filling slowly with air, becoming all smooth and buoyant, I felt like I finally fit within myself, edge to edge, every crevice filled.
Aristotle said time is a measure of change, and this movie is about changing in time, through time, while remaining the same person. That's a philosophical paradox and a moral dilemma. But 'Casablanca' says it's possible. You can have both. That's what it means. And that's my wish for you: that you would have both.
Genius of AND. Embrace both extremes on a number of dimensions at the same time. Instead of choosing a OR B, figure out how to have A AND B-purpose AND profit, continuity AND change, freedom AND responsibility, etc.
The extreme of flexibility is chaos and the extreme of being structured is rigid and staying sane, or indeed using your creativity, is about being aware of these extremes and steering yourself to areas where you work best which usually tend to be more in the middle than at either extreme edge.
Extremes, though contrary, have the like effects. Extreme heat kills, and so extreme cold: extreme love breeds satiety, and so extreme hatred; and too violent rigor tempts chastity, as does too much license.
As I understand it, triangulation is the idea that you demonstrate to some set of swing voters that you are politically palatable by poking the extremes of both parties in they eyes.
I hold that space cannot be curved, for the simple reason that it can have no properties. It might as well be said that God has properties. He has not, but only attributes and these are of our own making. Of properties we can only speak when dealing with matter filling the space. To say that in the presence of large bodies space becomes curved is equivalent to stating that something can act upon nothing. I, for one, refuse to subscribe to such a view.
Photons come out of nowhere, they cannot be stored, they can barely be pinned down in time, and they have no home in space whatsoever. That is, light occupies no volume and has no mass. The similarity between a thought and a photon is very deep. Both are born in a region beyond space and time where nature controls all processes in that void which is full of creative intelligence.
I cannot conceive curved lines of force without the conditions of a physical existence in that intermediate space.
Don't avoid extremes, and don't choose any one extreme. Remain available to both the polarities - that is the art, the secret of balancing.
I always liked the visuals to be choice and at the same time minimalist. And, I love black boxes. After all, that's what theatre is, it's an empty space, and it's both limited and unlimited because the space is the space, but what you can do with people's imaginations is really endless.
Everyone has their own greatness. Whether you reach your own greatness depends on your environment, your structure, the company you keep and your attitude.
Take back your light. Know that when you're in awe of someone else's greatness, you're really seeing yourself. Identify what you most admire or love about others and see how you can nourish those qualities and bring them out in yourself. Instead of fixating on someone else's brilliance, find ways to develop and demonstrate your own.
there is no prescribed route to follow to arrive at a new idea. You have to make the intuitive leap. But the difference is that once you've made the intuitive leap you have to justify it by filling in the intermediate steps. N my case, it often happens that I have an idea, but then I try to fill in the intermediate steps and find that they don't work, so I have to give it up.
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