A Quote by Giorgio Moroder

My name is Giovanni Giorgio , but everybody calls me Giorgio. — © Giorgio Moroder
My name is Giovanni Giorgio , but everybody calls me Giorgio.
At 17, I joined Olimpia Milano, the club my dad played for. Giorgio Armani was the sponsor. Everyone wanted to play for Milano because of him. They called him Re Giorgio, King Giorgio. We'd spend entire days at his stores, getting measured and fitted for suits.
I wish more Italian literature were translated and read in English. I've discovered so many extraordinary and diverse writers: Lalla Romano, Carlo Cassola. Beppe Fenoglio, Giorgio Manganelli, just to name a few.
Giorgio Morandi's paintings make me think that artists may not totally choose, or even control, their subjects or style.
Giorgio Agamben is possibly the most delicate and probing thinker since Walter Benjamin.
I have several [favorite clothes designers], but I like to wear Akris, Oscar De La Renta and Giorgio Armani.
I have to give credit to Giorgio Moroder ; among the first to make us realize the importance of music in film.
I always have Giorgio Armani's Luminous Silk Foundation, Bobbi Brown's Jenna lipstick, and my Estee Lauder Double Wear Concealer.
It's as if you were interested in fashion and your neighbor when you were growing up happened to be Giorgio Armani.
I had worked in PR for Giorgio Armani and Ralph Lauren and I always wanted to do something in design - and I really wanted to do jewelry.
Giorgio and Leonardo are two players who really help us out a lot. They have great experience, they get stronger with age and we are very lucky to have them on our side.
For me, the defender I respect the most is Giorgio Chiellini. He's one of the best defenders in the world. I really like the way he plays football on the pitch, the way he defends. He lives for the game. He transmits a sense of tranquillity to his team-mates. I have always admired his way to play.
Chanel makes an incredible red lip, and Tarte makes the best nude colors! I also love Giorgio Armani lipsticks - the Rouge d'Armani.
The long nights that Pier Giorgio Frassati spent on his knees in front of the Blessed Sacrament had something to do with the long days spent in service of the poor.
When I started Giorgio Armani in the mid-'70s, I realized that women needed a way to dress that was equivalent to that of men - something that would give them dignity, an attitude that would help them handle their work life.
I sometimes apply eyeliner - Giorgio Armani Smooth Silk Eye Pencil in #1 Black - and smudge it with my fingers really quickly to give it a little lift, almost a cat eye. It's all about giving a lift now.
I recently discovered the work of Giorgio Manganelli, who wrote a collection called 'Centuria,' which contains 100 stories, each of them about a page long. They're somewhat surreal and extremely dense, at once fierce and purifying, the equivalent of a shot of grappa. I find it helpful to read one before sitting down to write.
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