A Quote by Giorgio Moroder
I don't think there is too much art involved in what I do.
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I think a lot of people are involved in art because of the fashion of art and the conversation. It gives them a certain sophistication, something to speak about. But art is, if it's conceptual, really about understanding the concept. And if it's beautiful, it's about seeing the beauty. It's gone much further than that now. There's too much commercialism attached to art. If the market cracks one day big-time, you'll frighten so many people away who will never come back. Because they don't really feel for art. People who buy art should want it because they love it, they want to enjoy it.
Do you think you can love too much? Or experience too much beauty, at the cost of too much pain? Do you think when art is defined by expressing so much beauty and so much pain, just to be able to cope with both - and bring other people something creatively beautiful at the cost of that pain - that we can draw a line of 'normalcy'? It's important to think about.
Politics has become unbelievably and unfortunately way too much about how much money is involved rather than what kind of ideas are involved.
It's hard for us not to be involved with things. When you have so much information and you see so much need, there's too much going on for us not to get involved.
I don't like most contemporary art. But I think if you talked to any person who's heavily involved in contemporary art, they'd say the same thing. If you go to a biennale, you don't expect to like much of it.
I think art cannot be planned. The audience is too smart to get the dishonesty or 'too much planning' thing. I am not a legend, but I want to be one. I want to be known as an achiever. There is so much more that I can do.
I don't think a judge should be too much involved in outside activities.
People tend to view land art as something that happened at a certain historical moment - like minimal art, which I was also very much involved with. But it still goes on. It's very much alive.
It's only when people get involved, when there's money involved, that you have a lot opinions around you. I try not to listen to them too much.
My grandfather, who's still alive, has always been involved in art, antiques, and things like that. I think I learned so much from him.
Ideas are the old-age of art. Artists have to keep young; they must not think too much - thought is death, while art is life. Such was Emile's viewpoint.
I like art with a sense of humor. I don't have a huge art education to understand everything. I don't think that means that art has to be watered down to the lowest common denominator, though. I don't think you have to go to college to be able appreciate great art, but I like art that doesn't take itself too seriously.
I didn't want to save art - I respected the older artists too much to think art needed saving. But I knew it was finished, even though, at that time, I didn't know what I would do.
There's nothing worse than a violent beating from an unremarkable person. Physical violence with someone is too much like shagging them. Too much id involved.
I say too much of what, he says too much of everything, too much stuff, too many places, too much information, too many people, too much of things for there to be too much of, there is too much to know and I don't know where to begin but I want to try.
I really have to think of myself as a painter first because sculpture came much, much later. As a student at the Art Institute in Chicago, I simply never became involved in sculpture. I did prints, and I did paintings.
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