A Quote by Giorgio Moroder
In both pop and disco, the meaning of the lyrics is not too important. I have nothing I feel I particularly want to say.
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When you mention Bieber, Lorde, One Direction, I want to be on that list. But at the same time, when you say Lil Uzi Vert, I want my name to pop up, too. I'm kinda in between both. I wanna bring them together and exist.
I like mindless disco... they say the lyrics are stupid and repetitious. So what's wrong with that? So is lying in the sun. Not everything has to be serious.
In my early years, I was much too ignorant and didn't realize how desperately important it all is, how really important the lyrics are. And for me as a singer, I am a lady who takes the lyrics first.
I think that too many people think too much about my lyrics. I am more a person who works with the sound of a word than with its meaning. Often I just choose the words because of the rhythm not because of the meaning.
Salary negotiations are particularly important because people are testing you as both a co-worker and an ambassador. They really don't want you to be a pushover, and they don't want you to be a jerk.
Do you want a successful career or a close relationship with your family? Both! Do you want a focus on business or have fun and play? Both! Do you want money or meaning in your life? Both! Do you want to earn a fortune or do the work you love? Both! Poor people always choose one, rich people choose both.
If you want to learn anything, learn trust - nothing else id needed. If you are miserable, nothing else will help - learn trust. If you don't feel any meaning in life and you feel meaningless, nothing will help - learn trust. Trust gives meaning because trust makes you capable of allowing the whole descend upon you.
Meaning, I need you to focus. If you want to save Madaug, you need to listen to me or the mortents will eat both of you Pop-Tarts for breakfast. (Ambrose)
I want to give meaning to the history of the past, but to do it in real time, as if it were lived. This gives a special touch to my films, because you feel that I didn't have one single idea of the concrete meaning of what I wanted to say or what you have to feel or what you have to think. For me, this is the beauty, to see the past being born in front of you.
That big hit 'Get Lucky' is a disco song - not only the melody and the whole concept, but we had one of the great disco guys and one of the best guitarists ever, Nile Rodgers, to play on it. So that's great disco, but a modern disco, because it has great vocoders and synthesizers.
Lyrics are what I tend to tear hair out over and they're where I tend to feel weak musically, if I'm being very honest. It is not something I feel like I know anything about; I would not consider myself a writer. I just want to sing, I just want to sing a melody, I just want to feel a melody, and be part of the song, and everything else is not so important.
Well, it'll always be disco/electro-pop. That's what I first wanted to do when I started out as a musician in 1977. It's only ever been dance-pop that I've wanted to do.
I think I have a vested interest in thinking that the lyrics are important, but I think for us it's important that we all write things that mean something to us, and I think we're not really in the business of writing la-la-love-you chart pop songs. It needs to have a personal pulling in the gut for me, to want to write anything about it.
I want to know that I've accomplished something. I want to feel that it had some meaning. At the last summing up, I want to be sure it wasn't all-for nothing.
I want to say my life inspires my lyrics, but I also try to abstract them as much as possible because I don't want to refer to my life explicitly. I'm definitely really embarrassed by my lyrics.
The lyrics are so important to me. And that there is something going on in the lyrics. That the song actually has something to say.
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