A Quote by Giorgio Vasari
In my opinion painters owe to Giotto, the Florentine painter, exactly the same debt they owe to nature, which constantly serves them as a model and whose finest and most beautiful aspects they are always striving to imitate and reproduce.
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Suffering... We owe to it all that is good in us, all that gives value to life; we owe to it pity, we owe to it courage, we owe to it all the virtues.
Suffering! We owe to it all that is good in us, all that gives value to life; we owe to it pity, we owe to it courage, we owe to it all the virtues.
When you play a character that exists or existed, there's a stronger responsibility that you have. You owe that person and then you owe the family, you owe history, you owe the victims, the victims' families.
Above all, recognize that if you have had success, you have also had luck — and with luck comes obligation. You owe a debt, and not just to your Gods. You owe a debt to the unlucky.
I do feel like I owe something, but not to the industry. When you say "industry," I think of a group of people who don't really care much about you and treat you as a commodity. So, in that regard, I don't feel like I owe anything. But the people who've always been supportive of me and have always seen me for my greatest potential-those are the people who I feel like I owe something to. I feel like I am their voice. I owe it them to represent them in a way that they can be proud of.
I owe everything I have to them when I'm out there on the mound. But I owe the fans nothing and they owe me nothing when I am not pitching.
If you owe $50, you're a delinquent account. If you owe $50,000, you're a small businessmen. If you owe $50 million, you're a corporation. If you owe $50 billion, you're the government.
We owe the government taxes. We owe our creditors interest. What do these powers owe us?
Marriage, like death, is a debt we owe to nature.
Conversation in its happiest development is a link, equally exquisite and adequate, between mind and mind, a system by which men approach one another with sympathy and enjoyment, a field for the finest amenities of civilization, for the keenest and most intelligent display of social activity. It is also our solace, our inspiration, and our most rational pleasure. It is a duty we owe to one another; it is our common debt to humanity.
When I had dinner with a friend or a loved one and one of you pays for the check and the other says, "I owe you next time." I like to think that we're eternally even - that they don't owe me anything or I don't owe them anything if you have a connection with somebody or a love with somebody. I like to think that there's no debt to pay. You love each other and you're happy to pay for dinner every time.
The debt of gratitude we owe our mother and father goes forward, not backward. What we owe our parents is the bill presented to us by our children.
You don’t owe prettiness to anyone. Not to your boyfriend/spouse/partner, not to your co-workers, especially not to random men on the street. You don’t owe it to your mother, you don’t owe it to your children, you don’t owe it to civilization in general. Prettiness is not a rent you pay for occupying a space marked ‘female’.
Imagine you owe on five credit cards, you owe five debts. So which debt should you pay first? And the answer is very simple: You should pay the one with the highest interest rate first. But that's not what people do.
Though nature is constantly beautiful, she does not exhibit her highest powers of beauty constantly, for then they would satiate us and pall upon our senses. It is necessary to their appreciation that they should be rarely shown. Her finest touches are things which must be watched for; her most perfect passages of beauty are the most evanescent.
After painting comes Sculpture, a very noble art, but one that does not in the execution require the same supreme ingenuity as the art of painting, since in two most important and difficult particulars, in foreshortening and in light and shade, for which the painter has to invent a process, sculpture is helped by nature. Moreover, Sculpture does not imitate color which the painter takes pains to attune so that the shadows accompany the lights.
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