A Quote by Giovanni Ribisi

James Cameron has always been one of my favorite filmmakers. The first 'Terminator' is such a phenomenal film. It's not just that, though - he's also a very interesting person, James Cameron. It's fascinating to talk to him about science and engineering.
I hated 'Avatar' from the jump. And I like James Cameron. I'm not opposed to James Cameron.
James Cameron doesn't do what James Cameron does for James Cameron. James Cameron does what James Cameron does because James Cameron is... James Cameron.
I was really young, like nine, when I saw the first 'Terminator', and I was amazed by the world they created, and everything James Cameron did.
My friend James Cameron and I made three films together - True Lies, The Terminator and Terminator 2. Of course, that was during his early, low-budget, art-house period.
When James Cameron brought me the script, which I developed with both Cameron and Jay Cocks, I wanted to make it a thriller, an action film, but with a conscience, and I found that it had elements of social realism.
James Cameron has always been great about changing the rules.
I embrace technology and I just think that in 1984 when James Cameron wrote about the technology, everyone thought he was totally way out there and it was science fiction. Now it's almost reality what he talked about. The machines have taken over, except they have not become self-aware, like in Terminator. So this is really one thing that we have to watch out for, but I think technology is good.
The only sci-fi movie that I've ever been offered that, had circumstances been different, I would have definitely done, was 'Avatar.' And I literally couldn't do it because of my schedule. But listening to James Cameron talk about 'Avatar' was so fascinating. Because he literally invented the world in his mind - and it literally existed.
James Cameron's films have always been distinguished by ground-breaking technical excellence.
James Cameron has always been way ahead of the curve in terms of the use of technology in his movies.
I'd always been interested in maritime history, especially the great liners. I'd have done a book about the Titanic if it hadn't already been done to death by James Cameron and Celine Dion.
I'm always begging people like James Brooks and Cameron Crowe to come to screenings, to see what they make of it, and they're always ridiculously helpful. They also keep me brave enough to commit to what I'm trying to do. They can be great cheerleaders for risk-taking.
The Hollywood image of the movie business is all about ambition and high achievers like James Cameron. But the British film industry is much more about men who wear cravats and work with model trains and hope another series of 'Thomas the Tank Engine' will be commissioned.
When I think about my great conversations with Marlon Brando on the set of 'Morituri,' I think there's a story there, just as I do with my experience working with James Cameron on 'Titanic.' And then there are all my years on 'Y&R' and all that has happened there.
I've seen some of James Cameron's work, and I've got to go 3D.
Your life has more blue in it than a James Cameron movie.
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