A Quote by Girl Talk
When someone is buying a sample-based album, they are investing in the concept of that album. If they really like the original source material, they can go buy it.
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I'm gonna stay an album guy. In fact, concept albums are really blowing my mind right now, because if you want to promote an album, think about it - a concept album might be the way to go.
I do a lot of curiosity buying; I buy it if I like the album cover, I buy it if I like the name of the band, anything that sparks my imagination. I still like to go to record stores, I like to just wander around and I'll buy whatever catches my attention.
'Love Letter' is a concept album, and whenever I do a concept album - and I love doing concept albums more than any other kind of album - it allows me to get dressed, in a way, musically.
The album is a definite departure. I haven't written original material before, except for one song on my first album, but Elvis and I did six songs together on this one.
You shouldn't take a customer who's buying an album, who's happy buying an album, and try to tell them that what they're doing is wrong.
I do a lot of curiosity buying; I buy it if I like the album cover, I buy it if I like the name of the band, anything that sparks my imagination.
There are really three parts to the album, and there's, like, quite a lot of hip-hop on there. I guess it is a worry that people who love 'Human' might think they're buying the album and that's a blueprint for it, but it's definitely not. Hopefully they'll be pleasantly surprised.
I read the reviews sometimes, but I don't let it really affect the next album because, for me, when I approach an album, it's usually coming to me pretty naturally. It's not like I set out, like, "Okay, I'm going to write an album this month." It's more like I'm just always writing songs and eventually I start to realize that a group of songs sort of fits together, and I go from there in putting together the album and themes and artwork and things like that.
I have lots of records, quite a collection, actually, that I stole from my mom. I have the original 'Thriller' album and I have a really great 'Elton John's Greatest Hits,' and I also have a N.E.R.D. album. Records sound more original. They have more edge.
I found the most difficult thing when you became successful - when I had the record album, it won Album of the Year - that you were cut off from the source of your material. Your material was everyday people, and you were kind of cut off from that, and you had to work at it.
I think record cover sleeves really led towards, but at the same time the album as we know it didn't come into being until mainly after the Second World War because record labels realized they'd be able to make a lot more money putting all the singles of an artist onto one album and selling the whole album as a kind of a concept.
When it's a rapper's album or a singer's album, there's a tendency to want a text-based or theme-based narrative.
If I sample a song, I usually make samples out of the whole album. Then I move on after that. Doesn't mean I'm going to release that whole album, but I do that.
The first album I bought, I didn't even buy it. My grandma got Mike Jones and Bow Wow's 'Wanted' a little later. Matter of fact Ying Yang Twins' 'U.S.A. Still United' was the first album, but Mike Jones was the first album I really love.
A lot of people do talk about the demise of the album, but I still believe that if an artist tries hard to make a great album, people will buy it and listen to it as an album, rather than just a collection of random songs.
You could be Top 5 on iTunes, but for people to buy an album, they've got to have a connection with an artist. Every time I bought someone's album, it was about the connection. I was loving everything, from their raps to their style. I wanted to meet them.
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