A Quote by Girl Talk
I still like weird music but there's such an overabundance that it's hard for me to stay enthusiastic about it.
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I don't walk down the street like, "I'm famous." It's still weird to me when people ask for pictures. My close friends from high school keep me grounded - they don't care about what I do. I'm still the same person I was, and I try hard not to change.
At 90, I'm still working a couple of dates a month. My mind is very sharp on the stage, so why not? This may sound corny, but I do it because people - young and old - still come to see me, and they're very enthusiastic about my work. They treat me like the Godfather.
People think it's not necessary to talk to another human being, and that's the part of it that I don't like. Some people will go up and want to talk to you about the music, which is cool; they're enthusiastic about the songs and know stuff about it, or, 'I really like your music. Nice to meet you.'
At the beginning of my career, it was very hard to go up. Now, it's very hard to stay on top. You have to stay there, and I want to stay there so badly. I'm still standing.
I think what's interesting about Alice Munro, too, is the extreme mundanity of things. And how even a life reduced to complete mundanity, like capitalism taking over rural Ontario or whatever, has complete sway over aspects of life. Nevertheless, people still have these moments of weird desperation, weird longing, weird true love, or weird, powerful lust, and that was a major inspiration for me, too.
I’m a B-boy at heart. I still like rhyming. It’s just the radio game is like Chinese arithmetic. It’s hard to know what nuts to crack. But I still love music, been dropping music. Never stopped really.
I'm a B-boy at heart. I still like rhyming. It's just the radio game is like Chinese arithmetic. It's hard to know what nuts to crack. But I still love music, been dropping music. Never stopped, really.
Part of me wants to stay hidden; it's no coincidence that I write movie music. It lets me stay in the shadows, in a way, but still lets me be expressive.
There are different people who got me into music, but what I liked about Beethoven is that even when I didn't understand it or it was too long, there's still something about it that drove me to it. Then it got me excited about actually learning music, like a theory of it.
Me, l'm a weird person, so my music is kind of weird, but l want my music to be weird.
One of the things that struck me as unique about Hollywood is that I never had bad meetings. There were all enthusiastic, but meaninglessly enthusiastic.
I've always worked on all different types of music, some with specific project goals and deadlines and some not. Sometimes I would write a piece of music that is almost like a film score or weird electro pieces, wherever the muse took me, and I still do that.
When I was in London I found house music and techno, and I love that s - t. It's my go-to music. It's the closest for me to the old funk of James Brown and the repetitive dance music that I like from the soul music. I'd love to do a live album, like a little bit old school but still progressive, influenced maybe by more electronic music. I like everything, but I don't know anything about music. So it comes in to a lot of different ingredients.
The great thing about writing for a younger audience is that they will give it to you straight with their responses. They'll tell you exactly what they liked and didn't like, and when they're enthusiastic, they're unashamedly enthusiastic. They'll talk to you about your characters as if they were real people, which is wonderful.
If people are talking about you, that's great. You start making more money, that's great. You get to go to weird places, that's great. The music industry is weird, especially with the Internet. People are calling you all kinds of weird stuff, like 'jangly.'
I still love the game. I still feel like I'm a 25-year-old. I really still love the game and feel as enthusiastic about the game as I ever have felt about it.
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