A Quote by Girl Talk
I was a jaded high schooler, I was still into pop music, though not as sincerely as I am now. It was more tongue-in-cheek back then.
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I love country music, but I find it very hard to take it seriously. I also think a lot of country music is sung with the tongue in cheek, so I do it tongue in cheek.
I am not dogging on non-melodic pop music because I love it, but I am saying that is why the timeless songs are still here. It's because of the melody. As far as what shouldn't be brought back, the high-waisted bikini bottoms.
I didn't like any British music before The Beatles. For me, it was all about black American music. But then I became a successful pop singer, even though the kind of music I liked was more elitist, which is what I'm trying to get back to.
I'm still looking for the rules of what is and isn't pop music. I'm pop. I mean, of course I am. What isn't pop? There should be a pop amnesty where everyone reclaims it.
I still smile it's not worth the trouble any more for a long time now it's not been worth the trouble the tongue spring goes into the mud I stay like this not thirsty any more the tongue goes back into the mouth it closes it has to make a straight line now it's done I've made the image.
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I always like to think that I make movies that are like Nirvana songs. They have a slow verse, and then they pop into high gear, and then they go back into slow, and then they pop into high gear again.
I always like to think that I make movies that are like Nirvana songs. They have a slow verse and then they pop into high gear and then they go back into slow and then they pop into high gear again.
The greatest testimony to the human spirit that I'm witnessing now is the fact that people still come back to work, after all that has been done to them. They are still willing to participate for a more positive future if they would be sincerely invited.
I had a column for the 'Seattle Weekly' for five years, and there was one column that was called 'How To Be A Man,' and it was kind of tongue in cheek; it was really tongue in cheek. And I got a book deal from that column.
I think pop music is in such an exciting place right now, and I do kind of credit that to Lorde with 'Royals.' I think that song changed everything in the pop scene. All of the sudden, alternative pop music became pop music.
You want to embrace what the idea of pop music is. Not necessarily the stereotype of pop music; there was a time when you'd say 'pop music' and conjure up images of the Sweet, or Marc Bolan. That, to me, can be avant-garde still.
My fans are grown now. They are not expecting me to do the bubblegum pop I did 20 years ago, even though it was pretty substantive. It was saying more than bubblegum pop says today. I am continuing where I left off.
It reminded me of that tongue-in-cheek quick history of art I'd overheard...Used to be people couldn't draw very well, then they could, and now they can't again.
When I started it still wasn't okay to be this age and still make this kind of music. And believe me, I consider our stuff to be much poppier than - we're not on like cutting edge, that kind of thing anymore. And even though we're not doing Britney Spears music or Nsync, it's still what I consider to be pop music. So that does give you a little bit more longevity, I guess. But if somebody told me I'd be getting up there and singing "Heartbreaker" at fifty I'd laugh. So I don't know, I have no idea.
Long time a child, and still a child, when years Had painted manhood on my cheek, was I; For yet I lived like one not born to die; A thriftless prodigal of smiles and tears— No hope I needed, and I knew no fears. But sleep, though sweet, is only sleep—and waking, I waked to sleep no more; at once o'ertaking The vanguard of my age, with all arrears Of duty on my back. Nor child, nor man, Nor youth, nor sage, I find my head is gray, For I have lost the race I never ran. A rathe December blights my lagging May: And still I am a child, though I be old Time is my debtor for my days untold.
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