A Quote by Girl Talk
I've been approached about doing some live performance collaborations with DJ's. That is something I'd be interested in getting into down the line, but I've worked very hard to distinguish myself as a laptop artist.
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I love what I do. I'm living the dream. I know that sounds corny, but I wanted to be a DJ from about the age of eleven or twelve, so the fact that I've spent over half my life living out my dream and still doing it at a very high level, I consider myself very lucky. But I've also worked extremely hard and I still work really hard, maintaining my career.
My parents worked very hard for everything that they got. Their parents worked hard. It's just something that is passed down to you, and whatever you want to accomplish, you have to work hard to get it, and that's always been that mentality that my family has, and I think that's something that was passed on to me.
A man doesn't amount to something because he has been successful at a third-rate career like journalism. It is evidence, that's all: evidence that if he buckled down and worked hard, he might some day do something really worth doing.
I believed in myself, and I've always worked very, very hard as an artist, and I am an artist in every sense of the word.
I DJ very often. I'll probably do it more. I'm not available during the week because of the show but I travel most weekends to DJ. I've been doing it for about six years.
You know what, I'm very interested in acting, but right now I'm busy promoting my album and going on tour because that's my first love, but I'm very interested in doing some parts that may come my way. I've been offered a few movie parts so far, but I have to really concentrate on singing. But it's something I'm interested in doing eventually. I haven't been offered a part that truly inspires me to take time off, though.
As an actor, you've worked very hard, and you've been doing this for 20-some years, and William Morris was never interested - or any studio, either - in your company or as an actor, and then 'God's Not Dead' happens, and now everyone calls you.
When I worked on my game, that's what I thought about. When it happened, I set another goal, a reasonable, manageable goal that I could realistically achieve if I worked hard enough. I guess I approached it with the end in mind. I knew exactly where I wanted to go, and I focused on getting there.
As the OLPC laptop was getting ready to go into mass production in 2007, many executives approached me wanting the screen that I invented, and the laptop architecture that I co-invented, for their new laptops, cell phones, and other devices.
The good thing about doing a comic that's entirely my own voice as a debut is that people approached me with similar jobs, with stuff that they knew that I could do justice to because they had read what I'd already done. It meant that I was getting jobs that I was actually interested in, and I didn't have to prove myself on someone else's property.
When I'm representing my music live I think of it very much in a rock band sense. When I first started doing festivals in the 90s there really weren't other DJs playing the stages I was playing. So I felt I was being afforded an opportunity to kind of make a statement about what DJ music can be live. In the 90s, if you were a DJ you were in the dance tent, and you were playing house music and techno music. There was no such thing as a DJ - a solo DJ - on a stage, after a rock band and before another rock band: that just didn't happen.
I've been urged by people forever to try and start a real Rock Hall of Fame. I've had some very, very preliminary discussions about doing it. Obviously, I can't do it myself, but there are a lot of people interested in that.
My start came with experimental musicians and live bands. I never played with DJ's because it wasn't really the correct fit. It fit in more with someone using a laptop to create their own electronic music. When you're doing music like that, it's hard to get more than 20 people to come to your show.
I suppose it hacks me off sometimes when people go on about all the other stuff, because I have really worked hard at my game, and I've been incredibly dedicated in getting myself fit, and getting my game right.
When [George W.] Bush was elected, I think they thought I would have some sort of special "in" with that administration, to provide some sort of inside poop. Which is not something I'd be interested in doing, and anyway, I didn't. I actually knew more people in his dad's administration. So it was obviously winding down at Rolling Stone, and they were having financial troubles, too. They weren't getting the advertising, and the issues were getting thin. They fired Bob Love, who'd been my editor there for a long time.
I think the thing that I think about the most when I consider my father's philosophies is attaining that third stage of performance where you no longer have to think about what you're doing; you've worked long and hard enough to be able to have your body respond when you want it without your mind getting in the way.
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