A Quote by Girl Talk

A lot of people aren't aware of the years and years of humiliation and horrible shows I've played. — © Girl Talk
A lot of people aren't aware of the years and years of humiliation and horrible shows I've played.
A lot of times people have issues with me because they don't understand where I'm coming from and haven't seen the years and years of hard work and shows I've played.
I've played heavies for years and years and years. I was bald. I came to Hollywood. I did a play about junk. I was a pusher, so I played pushers for years and years and years. I did war movies and things like that.
Lot of people think I have played international cricket for 13 years, but I started at six years of age, so it is 28 years of cricket.
A lot of people forget that I played for seven years in the lower divisions; it wasn't always 'this glittering career.' I had to wait a long time and even in the early days at Man U, for three years we didn't win anything.
He's only 4 years old, so I don't think he realized, you know, that I played so many years. Of course, we watch tapes here from the Stanley Cup years, but I don't think he realized how many years I played.
The moral nihilism of celebrity culture is played out on reality television shows, most of which encourage a dark voyeurism into other people's humiliation, pain, weakness, and betrayal.
If I was born 400 years ago instead of now, I wouldn't have the life I have. There were freak shows, and there was horrible discrimination.
If I can, I would like to do as many different roles in a year because then there is no stagnation. That used to happen when I played one role in a serial for years. When a show goes on for years and is delivering ratings, you didn't get the chance to take up other roles and shows.
A lot of people like me, who've been around for years and years and years, only really lose it in their forties and fifties.
I'm living in a world that was created a hundred years ago with vaudeville and people traveling around and medicine shows and things and making live music on stage and I'm still doing that. I like it that way. I like to present something to people that's had 40 years of being honed and perfected. It's something that you're not going to find with an artist who's been around for two or three years, or even ten years.
I love to talk about the drums and music. I started playing drums when I was probably six and played a lot until I was about ten or eleven years old. So, I guess five or six years where I played. I had a drum set at home, and I would just bang on it. I'd even go on the Internet and study basic beats and so forth.
I've played with Mardy Fish a lot. Played with him, I think, two years ago in one of the weekend rounds.
My father played for Sao Paulo for several years. I played in Brazil, too, and made a lot of friends there.
I was recording stuff with my dad when I was like five, six years old. I played with him on tour. I'd gone with him to Japan in '91, played some gigs, did a couple shows at the Albert Hall.
The most difficult thing is that I don't speak Mandarin and I had this experience - of working in a language that I don't understand - before and it's really horrible. Eighteen years ago, I played a mute in one film because I couldn't speak Mandarin. There was another film where I had to speak Vietnamese. It's horrible!
I've realised that as long as the youth has the ability to use social media and their voice is there, people can actually cut through the nonsense and see what's really going on. People are live streaming from the ground, so everyone's starting to become more aware. When you pull back from this playground of duality, where someone is right and someone is wrong, you recognise that this is the way things have played out for years and years. And as long as the youth culture can see the madness that's going on in the world, there will eventually be a revolution.
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