A Quote by Girl Talk
I didn't change much in terms of my setup or how I was making my music. It's evolved to this point where I think people look at it as one big traveling party.
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Traveling all over the country and all over the world, I think you've got a lot of pop acts and a lot of rock acts that are making a point of traveling to different places and making people aware of their music and their shows and the whole deal and I think country music has always sort of stayed, for the most part, in the states.
I actually think that bass is probably the instrument that has evolved in a quantum leap compared to other instruments. It's the instrument that's evolved the most, especially with how it's perceived. And even how it's played, and how it's viewed from a point of view of commerce, like with the music industry.
Dub has been a big influence in terms of production. It's inspired so many people and so much music - in terms of music where mixing desk was the instrument. Central to that is the echo chamber, and I think there's a little bit of a romantic thing there.
We think of music as this substance that flows - you turn on the tap, and there it is, streaming off your computer - but that's not how we evolved as a species. We evolved to listen to each other, and the reason we're able to listen to music in the terms is talking about is because we're really good at listening to each other. But this kind of technology has allowed us to forget that music is the sound of each other.
I think the Ambitious Lovers never got their due- we had terrible management and at that point, we were on major labels and we didn't have any music business savvy which we could have used. We made a series of hilarious mistakes not in terms of music but in terms of making it happen.
I think there's a gigantic generation gap in terms of how people understand the Internet and how much they think technology is an important factor in social change.
I'm making music for people to have fun and party to. I'm also making real music as well. I'm making a lot of pop stuff. I'm definitely just making music for the consumer and the listeners. So shout out to all my fans.
[My] style evolved, not changed, but I think evolved as I grew and matured. I don't think there was any kind of change I did in a deliberate way - I think I just evolved.
We've had great experiences in Israel - besides traveling around, we got to go to some clubs. We didn't really know how the nightlife would be in Tel Aviv, and we were surprised how big the party was and what a high level the clubs and music were at.
When you think of power, you think the state has power. When you look at it in terms of revolution, in terms of the state, you think of it in terms of Russia, the Soviet Union, and how those who struggled for power actually became victims of the state, prisoners of the state, and how that led to the dissolution of the Soviet Union. We have to think of revolution much more in terms of transitions from one epoch to another. Talk about Paleolithic and Neolithic.
When you think of power, you think the state has power. When you look at it in terms of revolution, in terms of the state, you think of it in terms of Russia, the Soviet Union, and how those who struggled for power actually became victims of the state, prisoners of the state, and how that led to the dissolution of the Soviet Union. We have to think of revolution much more in terms of transitions from one epoch to another.
I'm going to make music that reflects me and my life now. So I think people who like my music and who listen to me should appreciate change as well, because I've definitely evolved, and that's a great thing, to celebrate that is what music is all about.
There is a difference these days between who's making the music and buying the music, in terms of the way that they think, grew up, and their perspective. It's become much more diverse.
I think if I wanted to get to a point where I could actually grow in my music, I had to almost step away from sampling so much and start making the kind of music that people wanted to sample.
People don't realize how much it means to your music to record on tape, whether it be for new music or old music. People don't realize how much or how imperative it is to use actual hardware when making drums because those are actual percussion samplers. They're hardware instruments that are made to have the drum hit.
I think we have to change our thinking and the music industry has to shift and look at how people are acquiring their music now. They want it differently. They're getting it in a different way and you just have to adjust.
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