A Quote by Girl Talk
When people come to my shows they know there is a distinct beginning and end. It's difficult for me to play for much more than an hour, so people kind of come out and treat it like a rock show. They're fiending and ready to dance.
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I love going to the runway shows. It's not so much for me a shopping trip as it is the appreciation of the craft of these design geniuses who come up with beautiful color combinations and beautiful proportion suggestions and these kind of ideas, so I look at the runway shows in very different ways, just kind of a romantic artistic interpretation of how they would like to see fashion going forward, but for me it's much more abstract. The runway shows are much more abstract than you know what ends up on people is much more real to me.
We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
So you can have your program, but you also have to be ready to change it immediately because there are certain kinds of people who like certain kinds of songs and they like - some people want to dance when you come out, some people just want to be intimate with you. So you kind of feel your way through a show.
There are so many people that have come up to me during our shows and tell me: 'The hour that we are watching your show is the hour that my kids are happiest and are smiling, they are laughing,' and that is what I long to do.
At the beginning of the Larry Sanders show, you know, we were grateful to get guests. At the end, it was as if we actually were The Tonight Show. People would come on, and it had the same sort of imprimatur as if we were on the air. I've been on a lot of talk shows during that time and since then, and people would come up in the dressing room or in the corridors and say, "You guys got it exactly right." Or they would say, "We have Larry Sanders moments every day."
When you write a show, you just never know if it will have a future or if the show will end up ever having a production, but, that doesn't mean that the songs - the best of the best songs - can't be pulled out and put on a CD. And, if the shows that they come from end up happening, then people will regard this as like a quirky little concept recording. And, if the shows don't end up happening, at least the songs will live on in some capacity.
I'm ready to come out and show people I'm able to play defense.
I'm an optimistic guy.It's just as much the case that people will come to me and ask my opinion about how to properly include the Muslim community, as it is that people will come with some hateful stuff too. When people come to me about my religion, it's not always a thing of "we don't want people like you here," which happens sometimes. But mostly it's people who would like to know more. I get a chance to help people understand the religion better.
The British have been more up for it than the Americans were, particularly with respect to nudity in the show. In Europe there are adverts that show the breasts, so people are less frightened of that aspect of the show. Americans can withstand incredible violence on TV shows - which, as I come from England and Canada, I find difficult to stomach - but they are more puritanical when it comes to nudity on screen.
I don't know if people come to the shows of the Raveonetteswith any certain expectations. I think that we have fans who know that we're not... hugely entertaining in any way. We don't put on a show, so to speak. We basically just play the music the way it's supposed to be heard - very loud, in a packed club, and in a good setting. People can stand still with their eyes closed, or they can dance. They can do whatever they want. We don't care.
Misha's importance and distinctiveness are beginning to be noticed, there's beginning to be some kind of rip-tide here that will soon become a wave of recognition for a book that the world is beginning to catch up to... We weren't ready before. We'd better be ready now. Because it's the 21st century, any minute now, and that means that Misha's time has come. In more ways than one.
It's kind of like some kind of church for me, playing live. Each show, good people from different pockets of the world come and open their soul and let their spirits mingle and dance. That energy comes up through me, and all I do is channel it; it's like a circular motion and very sacred.
Being a stand-up comic, this isn't a stepping-stone for me; it's what I do, and this is what I'm always going to do. And even if I do a TV show, the only reasons to do a TV show is to get more people to know me to come out to my stand-up shows.
Yeah, for me there are other challenges that aren't musical too. Like you just don't have as many people to feed off of energy wise, you are loading in and out and you are driving yourself more. Most of the challenges that count are the musical ones. I don't know why people come out to the shows, but I never think that it is to hear me play the guitar and sing. I think it must be in the writing and the presentation, which are the areas that I feel most comfortable.
You start to do shows and people come up to me and say, "I wish more people were here, how come more people aren't here?" and that just starts to get a little.
We lived in Colorado, and my parents were outdoorsy mountain people. My father would always say, 'Go out and don't come back until you have something to show me.' Which meant he wanted me to come back with a scraped knee or an injury. When I went out to play, I felt like I'd better get hurt.
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