A Quote by Giveon
In a film, there are dramatic moments and a bunch of different moments that lead up to a dramatic moment. On some songs, I try to paint the picture of before that drama happens, so by the time you get to the end of the project you've experienced infatuation and intimacy before it dives off to drama.
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There is no better moment than this moment, when we're anticipating the actual moment itself. All of the moments that lead up to the actual moment are truly the best moments. Those are the moments that are filled with good times. Those are the moments in which you are able to think that it is going to be perfect, when the moment actually happens. But, the moment is reality, and reality always kinda sucks!
To me some of the funniest movies would be probably categorized in the dramatic genre, and likewise some of the most dramatic films, or films that have the most dramatic moments, are in comedies.
To me, some of the funniest movies would be probably categorized in the dramatic genre, and likewise, some of the most dramatic films, or films that have the most dramatic moments, are in comedies.
From the beginning to the end of a drama, it's most important that I'm focused on the project that I'm responsible for and feel affection towards it. Then I get faith that the project will end up being good before getting fully engaged in it.
You can't control what goes on around you, you can't. But for me, I think there's staples of these moments, that crazy moment where you think you're indestructible. That moment where you find out that you're not. And then that moment where all of a sudden you go, okay, I'm not indestructible but I'm gonna be okay. You have this life, and we all have these lives we live but it takes a bit of learning before you realize not every drama's going to kill you and not every hard day has to lead to another one.
I love attempting to play real people. I like to try and have dramatic moments as well as comedic moments, and my favorite thing is when those two lines are blurred.
Each one is different. Each project is different. Some are silly, some are not. Some are more realistic, some are not. Some are overly dramatic, some are not. You've just got to try and find the thing that's most engaging and entertaining in whatever way, shape or form, and it's different every time.
There is too great a tendency (perhaps encouraged by popular journalism) to deal with the dramatic moments, forgetting that these are not always the most significant moments. ... To find the significant rather than the dramatic features of industrial controversy, of a disagreement in regard to policy on board of directors or between managers, is essential to integrative business policies.
I've struggled so much, growing up, with just feeling that my life is valid because it's not filled with these hyper-dramatic moments, and I think a lot of people of my generation feel that way. We're so inundated with hyper-drama that people crave everyday life.
I've always thought that comedy was just another dramatic expression. I try to measure the amount of truth in a work rather than just looking at the generic distinction between comedy and drama. There's a lot of bullshit drama that leaves you totally cold. And there's a lot of wasted comedy time too. But when you get something honest, it doesn't matter what label you give it.
People love miracle stories and dramatic moments of transcendence or transformation, and may then pursue their own dramatic "awakenings."
Drama is hate. Drama is pushing your pain onto others. Drama is destruction. Some take pleasure in creating drama while others make excuses to stay stuck in drama. I choose not to step into a web of drama that I can't get out of.
I am interested in the non-dramatic moments in life. I`m not at all attracted to making films that are about drama. A few years back, I saw a biopic about a famous American abstract expressionist artist. And you know what? It really horrified me.
I tend to think in dramatic terms. In life, there may be an actual drama, but it would be the fictionalized, imagined drama that engaged me.
I think it's harder to go from comedy to drama than from drama to comedy. Seeing you dramatic all the time, they crave to see you being silly or funny. But, seeing you in comedy all the time, it's hard to see that person go be serious, for some reason.
Honestly, when you're writing you try to stay on the story, on the character's mind, trying to throw stuff at them. There is danger, and the scares have to kick in the right places with the drama. And you try not to do too much to try to create those moments. Those moments create themselves.
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