A Quote by Giveon
My approach to writing is, it's either going to be a personal story about me and what I've personally been through, or it's going to be inspired by a friend.
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The whole thing about Tool is that it kind of feeds on itself. If it's going, it's going. If it's at a grinding halt, there's either the will to pick it up again and get it going or not. We've been through serious stages of nothing... business problems or personal problems or whatever.
I'm inspired by whatever I see, feel, hear about, watch on the TV...anything. It can be something that I really need to get off my chest so I write or something a friend is going through which gets my thoughts going.
Some of the songs are inspired by personal things that have happened. Others have been inspired by other people's stories, you know, like someone that witnesses something and so I tell the story through my own eyes. And some songs are just about how I feel about the world and others about the places that we have travelled to.
I get inspired by what I go through. Experiencing all these different things we all go through like heartache, falling in love, watching a family member or a friend going through [something], and trying to write about it from a different perspective.
Eventually, I started writing down a bunch of titles that related to childhood themes and would pair it with an adult situation that either I was going through or someone else in my life was going through.
I love writing. I never feel really comfortable unless I am either actually writing or have a story going. I could not stop writing.
When I was a kid, I was always going to bed creating a story and that was the birth of filmmaking for me. I would like going to the dream-state by telling the story to someone else in my mind. That was my imaginary friend; it was an imaginary audience listening to my story.
When I was a kid, I was always going to bed creating a story, and that was the birth of filmmaking for me. I would like going to the dream-state by telling the story to someone else in my mind. That was my imaginary friend; it was an imaginary audience listening to my story.
I'm not the best singer in the world, but the albums have always been personal. They're stories about me and what I'm going through.
The way to start writing isn't by writing at all. But by living. It isn't about creating something from thin air, but about documenting our personal feelings about the things that we see. Or to put it crudely, how are you going to be a storyteller if you have no story to tell? Perhaps, in the end, there are no such things as creative people; they are only sharp observers with sensitive hearts.
Perhaps if there is anything remotely interesting about my writing style, it is this: more often than not I have no idea what the story is going to be about. Sometimes I have a fuzzy vision, or a glimpse of one scene, or a character. But mostly all I have is a random first sentence, and I follow it to see where it might go. For me, writing is the process of discovery, of gradually figuring out what happens in the story and how it ends, that makes writing an interesting process for me.
None of our films look alike, we are very dialectical in our approach to each one, and 'Hoop Dreams' was no exception. That's what I love about documentary filmmaking, we never know where the story is going, we don't know what is going to happen next, and we're inside a culture of people that you have to figure out in many ways. It's a relationship between what you thought might have been the story, and what happens in the 'field.' Out of that comes the story, which was exactly what happened with 'Hoop Dreams.'
So here I am, sending a two-ounce mouse down into a dungeon with a sewing needle to save a human princess, and I don't know how in the world he's going to do it. I have no idea. That was the first time it occurred to me that writing the story was roughly equivalent to Despereaux's descent into the dungeon. I was tremendously aware of that as I was writing. I thought, "I have to be brave or else I'm not going to be able to tell it." But it's the only way that I can write. If I know what's going to happen, I'm not interested in telling the story.
I've made the commitment to Canadians that I'm going to stay myself, and I'm going stay open about it, and I'm going to make sure that the thoughtfulness with which I approach issues continues to shine through.
Anyway, so here I was caught between Johnson on the one side, who was my leader, I was his whip, and here was my dear friend, personal friend, Kennedy, and they're going to go into my state and ruin it. What am I going to do?
Meeting people at my fertility doctor's office who are going through the same things I'm going through, I thought, 'Why not share my story?' It's been really emotional.
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