A Quote by Gladys Berejiklian
I'm incredibly proud that no matter where you live in New South Wales, whether in the regions or the city, you're seeing projects come to life and delivered that were only imagined, that were only spoken about by the previous government.
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And at the moment of contact, they do not know if the hand that is reaching for theirs belongs to a Hindu or Muslim or Christian or Brahmin or untouchable or whether you were born in this city or arrived only this morning or whether you live in Malabar Hill or New York or Jogeshwari; whether you’re from Bombay or Mumbai or New York. All they know is that you’re trying to get to the city of gold, and that’s enough. Come on board, they say. We’ll adjust.
The only reason we used the Confederate flag was just because we were from the South, and we were proud of that.
Everyone I know is fervently proud to be Welsh but you try not to be preachy about it. It's difficult at times. But when I go home to north Wales, or to somewhere I've never been in south Wales, I still feel at home because I'm in Wales. It's hard to explain.
I want every person in New South Wales, no matter where they live, to feel that they have the choices and the opportunities to be their best.
I know that in South Africa, we were in that space, and we're still suffering from that space. And that was where a government very successfully convinced the majority of a population that every single person there was blocking the other people from achieving greatness in the country, only to realize that we were all being oppressed at the same time. That's one of the biggest things. And I'm proud to say that.
We South Vietnamese, we are very concerned about the ah, the fact that the communists are - were very shrewd in trying to take advantage of the American presence in South Vietnam to make the propaganda that they were the only one who fought for the independence of the country and against the, only foreigners, first the French and after that the Americans.
Many of the projects I'm most proud of are tall buildings, especially the housing projects. In New York I have two: one in Kips Bay and one at New York University. At that time, those projects were most challenging.
We thought we were being mature when we were only being safe. We imagined we were being responsible but were only being cowardly. What we called realism turned out to be a way of avoiding things rather than facing them.
I wouldn't want them to feel lonely or outcast ever in any way. And no matter where they were in the world, I'd want them to always feel incredibly confident about who they were and proud.
And fantasy it was, for we were not strong, only aggressive; we were not free, merely licensed; we were not compassionate, we were polite; not good, but well behaved. We courted death in order to call ourselves brave, and hid like thieves from life. We substituted good grammar for intellect; we switched habits to simulate maturity; we rearranged lies and called it truth, seeing in the new pattern of an old idea the Revelation and the Word.
There's nothing more fun than seeing the things that you dreamed about when you were a kid come true. I'm headlining an iconic theater in New York City during the New York Comedy Festival. When you're starting off as a comedian, you don't think that's ever going to happen.
Who can endure a doctrine which would allow only dentists to say whether our teeth were aching, only cobblers to say whether our shoes hurt us, and only governments to tell us whether we were being well governed?
...a condemned man who, at the hour of death, says or thinks that if the alternative were offered him of existing somewhere, on a height of rock or some narrow elevation, where only his two feet could stand, and round about him the ocean, perpetual gloom, perpetual solitude, perpetual storm, to remain there standing on a yard of surface for a lifetime, a thousand years, eternity! - rather would he live thus than die at once? Only live, live, live! - no matter how, only live!
I went to school to learn to be a hairdresser. I worked at a wholesale florist, where I delivered to florists all over New Jersey. I'd come home and go out to work down at the Shore. The early jobs, I remember, were $5, $6 a night. And I lived in the projects right until the time I became successful.
I joined the city government, and we start to operate as the bureaucrats on the local level, so we were the only ones in the whole Russian team who were experienced in practical bureaucratic management in the complicated condition of 1990.
As far as my projects are concerned, I have always maintained a healthy balance. My south Indian projects have never taken a backseat even though I've been busy in Hindi. Both regions have loved me, and being wanted by both the north and south film industries is a compliment by itself.
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