A Quote by Gladys Knight
When you pay your money to see me, I want you to have the best concert you can have from me.
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If I'm owed money, but I say, 'Don't pay me, pay my cousin. Don't pay me, pay my charity,' you can do that, but then the IRS requires that you pay income tax on that. It's your income if you earned it and you directed where it went. If you exercised control over where the money went, you have to pay income tax on that.
If you want to pay your money to see Boney M, you've got to have me on stage.
I see little girls at my meet-and-greets who are like, 'Kelsea! It's my first concert and I came to see you.' And I'm thinking, 'I don't want to post anything online that your mom would be mad at me for, because you're important to me.'
There are people out there who pay their hard earned money to see a good show and people who work 9 to 5 and they saved their money and they want to see the best show possible.
In college, girls would come up to me: 'I want your calves.' It just makes me laugh. I guess people pay a lot of money to have the types of bodies athletes have.
When I go to a concert, I can't believe that people pay lots of money to see a band that they obviously like and then they dance the whole time.
Doing new stuff live is tough just simply because I pay my money, I stand in my seats, and I see the guys I love. And if I paid that ticket, there's a good chance that I'm there to hear the stuff that made me fall in love with 'em - we call it the "old stuff." And if an artist comes in town and dumps his entire new album on me, as a listener in a concert venue, it happens to miss out on the old stuff that I came there for. That doesn't work too well for me as a listener. Most of the time for concerts, it's the old stuff.
When strangers walk up to me and want to play golf for money, I worry. I wonder why they're coming to me, and I begin asking questions: When did you start playing? What's your best score? Are you playing your best golf right now? Where do you play? Usually I can tell if they're lying.
As for poker, I've stayed away from that, even though when I was in Vegas for Ocean's Eleven, I would get accosted by these guys begging me to play. They just want to take my money. They see me, think 'actor' and see some easy money.
I love to work, so give me what you've got. I'll play a tree, if you want me to. If you want fruit on it, then pay me more money. Otherwise, I just love to work.
Lie beside me. Let me see the division of your pores. Let me see the web of scars made by your family's claws and you their furniture. Let me see the wounds that they denied. The battle ground of family life that has been your body. Let me see the bruised red lines that signal their encampment. Let me see the routed place where they are gone. Lie beside me and let the seeing be healing. No need to hide. No need for either darkness or light. Let me see you as you are.
Now, all writing - all the arts - are a form of 'Pay attention to me,' but there's also the flip side. Like, I want to give something. Let me entertain you, let me amuse you, let me try to please you with this thing I've made. And then pay attention to me.
If you really hate me, you should at least have the courtesy to take out a piece of paper and write it down and mail it to me. If you're a worthy nemesis, I want to see your handwriting. I want to see your name and your address, and if you don't have the guts to give me those, then you're not a worthy nemesis.
My clients don't pay me to feel sorry; they pay me to bring them money. I am tough, but I have a soft side.
If 1,500 people are gonna see me and they each pay $20, I want to give them everything that I possibly can. They just made an exchange that allows me to live a dream of mine since I was a child. And that's not lost on me. So I want to expend every ounce of power and energy I have.
I've written for 'The Times' because they have valued what I do enough to pay me. The 'New Statesman' magazine also asked me to write an article, but they didn't want to pay me anything. To me, that shows how much they value quality journalism.
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