A Quote by Glen Campbell

If you've got a good melody and a good story married together, that's a good sign for hit-song material. — © Glen Campbell
If you've got a good melody and a good story married together, that's a good sign for hit-song material.
A good song has to have a great melody, and the lyrics have to touch my heart. Now, if it's just a little toe-tapper, got to make me feel good somehow or another, or when I sing it I can't make you feel good.
I think the difference between a good song and a great song is... honestly, I think the lyrics, because if you have a really solid melody and solid track and everything is there but then the lyric is just okay, then you've got a good song.
There's nothing prettier in the world than a melody. I can get lost in a song with a melody. A lot of times I have, and the song wasn't that good, but I would get lost in that melody, and I'd want to do the song.
I'm a God-gifted fighter. I've got vision. I've got very good reaction. I've got a good jab. I seem to be able to hit and not get hit. I've got a good right hand, and that's my power hand. I like to mix it up. I'm never set on one style. I'm always doing something different, and I'm a sponge. I'm always learning more.
Usually a song being hard to write is a sign that the song isn't good enough. It should be like a good kiss. Effortless and smooth.
I walk away from writing what I consider to be a good song - with a good character, a good story in it - with all I'm gonna really get out of that song. My greatest pleasure is to create it, not to record it, not to hear anyone else play it, though that can be nice too.
The melody seems to have gone to the country. The country music seems to still have melody and interesting lyrics. But pop music, you've got to really listen hard to somebody who's doing a good melody and a good lyric.
Me and Tory Lanez got good chemistry together. We could make a song so easy, but we always like to figure out what we're really doing. We can make a good song, but it gotta make sense.
You'd think, of course, it's about the melody - that's a given. But really, I'm no good at singing a song unless it has a good lyric.
If you can make yourself symmetrical, you're sending out a sign that you've got good genes, you've got a good upbringing and therefore you'll make a good mate.
All I can tell you is, all of the good product you got from E-40 with all the good product you got from Too $hort - it's almost impossible for us to make a terrible album together. We're both opinionated, so I damn sure am not co-signing a song that I think is wack.
The key is a good story. If you have a good story, you have enough emotional beats that you can hit.
A glass is good, and a lass is good, And a pipe to smoke in cold weather; The world is good, and the people are good, And we 're all good fellows together.
I'm good at melody - I'll write the top-line melody and ideal words I want to go with it. But I'm not that good at writing lyrics. I bounce those back and forth with songwriters or someone who can sing.
Because as much as I love figuring out other people's puzzles, and love putting words together in ways that feel good to sing and sound good together and suit the melody, I think most of the best songs in the world are fairly clear about what they mean to say.
Getting married is great, and I feel really good away from the court, and my private life and stuff is good. But you still need to train and work hard. Like, I didn't go on a honeymoon after we got married; I went to Barcelona and trained for 10 days to get ready for the clay-court season. It's been good, but you still have to put the work in.
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