A Quote by Glen Duncan

What I've absorbed of the gothic or paranormal has come mainly from films. — © Glen Duncan
What I've absorbed of the gothic or paranormal has come mainly from films.
The gothic reminds us that we are mainly driven by our passions; the Gothic deals in illicit desires, in what is prohibited by society.
I was first published as a paranormal author back in the early 1990s. I was one of the founders of that original wave of paranormal and am the leader of the new wave of paranormal that started at the beginning of this century.
'Paranormal Activity' was the first of our independently made/studio-released films. It was also the ultimate low-budget high-concept movie, which is what we are always looking for. 'Paranormal Activity' was the genesis of our model, of which I am so proud.
Nico was gothic, but she was Mary Shelley gothic to everyone else's Hammer horror film gothic. They both did Frankenstein, but Nico's was real.
I hate the word gothic but I would like to try doing something like that. A gothic sound, not rock, but gothic. There's a difference.
The gothic is singular in this; one seems easily at home in the renaissance; one is not too strange in the Byzantine; as for the Roman, it is ourselves; and we could walk blindfolded through every chink and cranny of the Greek mind; all these styles seem modern when we come close to them; but the gothic gets away.
I can not watch either of the 'Paranormal' films alone.
I can not watch either of the "Paranormal" films alone.
With 'The Keep,' I began with a theory about pitting the isolated disconnection of the gothic realm against present-day hyperconnectedness. I emerged feeling that the gothic genre is all about hyperconnectedness - the possibility of disembodied communication - and that we now live in a kind of permanently gothic state.
Radicalism itself ceases to be radical when absorbed mainly in preserving its control over a society or an economy.
Actually, I can't stand watching violent scenes in films; I avoid watching horror films. I don't tend to watch action films mainly because I find them boring, but I watch the films of David Cronenberg and Martin Scorsese, usually in a state close to having a heart attack. I'm a complete coward. I make violent films as a result of my sensitivity to violence - in other words, my fear of violence.
When some French were assembling an encyclopedia of paranormal experiences, they decided to leave déjà vu out, because it was so common it could not be considered paranormal.
If someone asked, 'What are your films like?,' the best I can come up with is that they're, like, a fine balance between comedy and drama. And they deal mainly with the clumsiness of humanity.
If you look to the few films that have been really successful, 'Insidious,' 'Paranormal Activity,' it's all basically the old monsters.
I've been a huge fan of all things paranormal my whole life. For me, it was always a question of when, not if, I was going to write a paranormal series. I dipped my toe in the genre by incorporating a mystical curse into the 'MacCarrick Brothers Trilogy.'
Well, I think by and large, certainly in terms of cinema, American culture dominates our cinema, mainly in the films that are shown in the multiplexes but also in the way that it has a magnetic effect on British films.
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